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  But little good did it do this much-mixed young man to know that half of him was late American and the other half early Teuton. Nevertheless, the late American in him was no weakling, and he (if he were a he and had a shred of existence outside of these two) compelled an adjustment or compromise between his one self that was a night-prowling savage that kept his other self sleepy of mornings, and that other self that was cultured and refined and that wanted to be normal and love and prosecute business like other people. The afternoons and early evenings he gave to the one, the nights to the other; the forenoons and parts of the nights were devoted to sleep for the twain. But in the mornings he slept in bed like a civilized man. In the night time he slept like a wild animal, as he had slept the night Dave Slotter stepped on him in the woods.

  Persuading his father to advance the capital, he went into business, and keen and successful business he made of it, devoting his afternoons whole-souled to it, while his partner devoted the mornings. The early evenings he spent socially, but, as the hour grew to nine or ten, an irresistible restlessness overcame him and he disappeared from the haunts of men until the next afternoon. Friends and acquaintances thought that he spent much of his time in sport. And they were right, though they never would have dreamed of the nature of the sport, even if they had seen him running coyotes in night-chases over the hills of Mill Valley. Neither were the schooner captains believed when they reported seeing, on cold winter mornings, a man swimming in the tide-rips of Raccoon Straits or in the swift currents between Goat Island and Angel Island miles from shore.

  In the bungalow at Mill Valley he lived alone, save for Lee Sing, the Chinese cook and factotum, who knew much about the strangeness of his master, who was paid well for saying nothing, and who never did say anything. After the satisfaction of his nights, a morning's sleep, and a breakfast of Lee Sing's, James Ward crossed the bay to San Francisco on a midday ferryboat and went to the club and on to his office, as normal and conventional a man of business as could be found in the city. But as the evening lengthened, the night called to him. There came a quickening of all his perceptions and a restlessness. His hearing was suddenly acute; the myriad night-noises told him a luring and familiar story; and, if alone, he would begin to pace up and down the narrow room like any caged animal from the wild.

  Once, he ventured to fall in love. He never permitted himself that diversion again. He was afraid. And for many a day the young lady, scared at least out of a portion of her young ladyhood, bore on her arms and shoulders and wrists divers black-and-blue bruises—tokens of caresses which he had bestowed in all fond gentleness but too late at night. There was the mistake. Had he ventured love-making in the afternoon, all would have been well, for it would have been as the quiet gentleman that he would have made love—but at night it was the uncouth, wife-stealing savage of the dark German forests. Out of his wisdom, he decided that afternoon love-making could be prosecuted successfully; but out of the same wisdom he was convinced that marriage would prove a ghastly failure. He found it appalling to imagine being married and encountering his wife after dark.

  So he had eschewed all love-making, regulated his dual life, cleaned up a million in business, fought shy of match-making mamas and bright- and eager-eyed young ladies of various ages, met Lilian Gersdale and made it a rigid observance never to see her later than eight o'clock in the evening, ran of nights after his coyotes, and slept in forest lairs—and through it all had kept his secret save for Lee Sing ... and now, Dave Slotter. It was the latter's discovery of both his selves that frightened him. In spite of the counter fright he had given the burglar, the latter might talk. And even if he did not, sooner or later he would be found out by some one else.

  Thus it was that James Ward made a fresh and heroic effort to control the Teutonic barbarian that was half of him. So well did he make it a point to see Lilian in the afternoons and early evenings, that the time came when she accepted him for better or worse, and when he prayed privily and fervently that it was not for worse. During this period no prize-fighter ever trained more harshly and faithfully for a contest than he trained to subdue the wild savage in him. Among other things, he strove to exhaust himself during the day, so that sleep would render him deaf to the call of the night. He took a vacation from the office and went on long hunting trips, following the deer through the most inaccessible and rugged country he could find—and always in the daytime. Night found him indoors and tired. At home he installed a score of exercise machines, and where other men might go through a particular movement ten times, he went hundreds. Also, as a compromise, he built a sleeping porch on the second story. Here he at least breathed the blessed night air. Double screens prevented him from escaping into the woods, and each night Lee Sing locked him in and each morning let him out.

  The time came, in the month of August, when he engaged additional servants to assist Lee Sing and dared a house party in his Mill Valley bungalow. Lilian, her mother and brother, and half a dozen mutual friends, were the guests. For two days and nights all went well. And on the third night, playing bridge till eleven o'clock, he had reason to be proud of himself. His restlessness he successfully hid, but as luck would have it, Lilian Gersdale was his opponent on his right. She was a frail delicate flower of a woman, and in his night-mood her very frailty incensed him. Not that he loved her less, but that he felt almost irresistibly impelled to reach out and paw and maul her. Especially was this true when she was engaged in playing a winning hand against him.

  He had one of the deer-hounds brought in, and, when it seemed he must fly to pieces with the tension, a caressing hand laid on the animal brought him relief. These contacts with the hairy coat gave him instant easement and enabled him to play out the evening. Nor did any one guess the terrible struggle their host was making, the while he laughed so carelessly and played so keenly and deliberately.

  When they separated for the night, he saw to it that he parted from Lilian in the presence of the others. Once on his sleeping porch, and safely locked in, he doubled and tripled and even quadrupled his exercises until, exhausted, he lay down on the couch to woo sleep and to ponder two problems that especially troubled him. One was this matter of exercise. It was a paradox. The more he exercised in this excessive fashion, the stronger he became. While it was true that he thus quite tired out his night-running Teutonic self, it seemed that he was merely setting back the fatal day when his strength would be too much for him and overpower him, and then it would be a strength more terrible than he had yet known. The other problem was that of his marriage and of the stratagems he must employ in order to avoid his wife after dark. And thus fruitlessly pondering he fell asleep.

  Now, where the huge grizzly bear came from that night was long a mystery, while the people of the Springs Brothers' Circus, showing at Sausalito, searched long and vainly for "Big Ben, the Biggest Grizzly in Captivity." But Big Ben escaped, and, out of the mazes of half a thousand bungalows and country estates, selected the grounds of James J. Ward for visitation. The first Mr. Ward knew was when he found himself on his feet, quivering and tense, a surge of battle in his breast and on his lips the old war-chant. From without came a wild baying and bellowing of the hounds. And sharp as a knife-thrust through the pandemonium came the agony of a stricken dog—his dog, he knew.

  Not stopping for slippers, pajama-clad, he burst through the door Lee Sing had so carefully locked, and sped down the stairs and out into the night. As his naked feet struck the graveled driveway, he stopped abruptly, reached under the steps to a hiding-place he knew well, and pulled forth a huge knotty club—his old companion on many a mad night adventure on the hills. The frantic hullabaloo of the dogs was coming nearer, and, swinging the club, he sprang straight into the thickets to meet it.

  The aroused household assembled on the wide veranda. Somebody turned on the electric lights, but they could see nothing but one another's frightened faces. Beyond the brightly illuminated driveway the trees formed a wall of impenetrable blackness. Yet somewhere in that b
lackness a terrible struggle was going on. There was an infernal outcry of animals, a great snarling and growling, the sound of blows being struck, and a smashing and crashing of underbrush by heavy bodies.

  The tide of battle swept out from among the trees and upon the driveway just beneath the onlookers. Then they saw. Mrs. Gersdale cried out and clung fainting to her son. Lilian, clutching the railing so spasmodically that a bruising hurt was left in her finger-ends for days, gazed horror-stricken at a yellow-haired, wild-eyed giant whom she recognized as the man who was to be her husband. He was swinging a great club, and fighting furiously and calmly with a shaggy monster that was bigger than any bear she had ever seen. One rip of the beast's claws had dragged away Ward's pajama-coat and streaked his flesh with blood.

  While most of Lilian Gersdale's fright was for the man beloved, there was a large portion of it due to the man himself. Never had she dreamed so formidable and magnificent a savage lurked under the starched shirt and conventional garb of her betrothed. And never had she had any conception of how a man battled. Such a battle was certainly not modern; nor was she there beholding a modern man, though she did not know it. For this was not Mr. James J. Ward, the San Francisco business man, but one unnamed and unknown, a crude, rude savage creature who, by some freak of chance, lived again after thrice a thousand years.

  The hounds, ever maintaining their mad uproar, circled about the fight, or dashed in and out, distracting the bear. When the animal turned to meet such flanking assaults, the man leaped in and the club came down. Angered afresh by every such blow, the bear would rush, and the man, leaping and skipping, avoiding the dogs, went backwards or circled to one side or the other. Whereupon the dogs, taking advantage of the opening, would again spring in and draw the animal's wrath to them.

  The end came suddenly. Whirling, the grizzly caught a hound with a wide sweeping cuff that sent the brute, its ribs caved in and its back broken, hurtling twenty feet. Then the human brute went mad. A foaming rage flecked the lips that parted with a wild inarticulate cry, as it sprang in, swung the club mightily in both hands, and brought it down full on the head of the uprearing grizzly. Not even the skull of a grizzly could withstand the crushing force of such a blow, and the animal went down to meet the worrying of the hounds. And through their scurrying leaped the man, squarely upon the body, where, in the white electric light, resting on his club, he chanted a triumph in an unknown tongue—a song so ancient that Professor Wertz would have given ten years of his life for it.

  His guests rushed to possess him and acclaim him, but James Ward, suddenly looking out of the eyes of the early Teuton, saw the fair frail Twentieth Century girl he loved, and felt something snap in his brain. He staggered weakly toward her, dropped the club, and nearly fell. Something had gone wrong with him. Inside his brain was an intolerable agony. It seemed as if the soul of him were flying asunder. Following the excited gaze of the others, he glanced back and saw the carcass of the bear. The sight filled him with fear. He uttered a cry and would have fled, had they not restrained him and led him into the bungalow.

  James J. Ward is still at the head of the firm of Ward, Knowles & Co. But he no longer lives in the country; nor does he run of nights after the coyotes under the moon. The early Teuton in him died the night of the Mill Valley fight with the bear. James J. Ward is now wholly James J. Ward, and he shares no part of his being with any vagabond anachronism from the younger world. And so wholly is James J. Ward modern, that he knows in all its bitter fullness the curse of civilized fear. He is now afraid of the dark, and night in the forest is to him a thing of abysmal terror. His city house is of the spick and span order, and he evinces a great interest in burglar-proof devices. His home is a tangle of electric wires, and after bed-time a guest can scarcely breathe without setting off an alarm. Also, he has invented a combination keyless door-lock that travelers may carry in their vest pockets and apply immediately and successfully under all circumstances. But his wife does not deem him a coward. She knows better. And, like any hero, he is content to rest on his laurels. His bravery is never questioned by those of his friends who are aware of the Mill Valley episode.

  Joseph—A Story (Katherine Rickford)

  Table of Content

  They were sitting round the fire after dinner—not an ordinary fire—one of those fires that has a little room all to itself with seats at each side of it to hold a couple of people or three.

  The big dining room was paneled with oak. At the far end was a handsome dresser that dated back for generations. One's imagination ran riot when one pictured the people who must have laid those pewter plates on the long, narrow, solid table. Massive medieval chests stood against the walls. Arms and parts of armor hung against the panelling; but one noticed few of these things, for there was no light in the room save what the fire gave.

  It was Christmas Eve. Games had been played. The old had vied with the young at snatching raisins from the burning snapdragon. The children had long since gone to bed; it was time their elders followed them, but they lingered round the fire, taking turns at telling stories. Nothing very weird had been told; no one had felt any wish to peep over his shoulder or try to penetrate the darkness of the far end of the room; the omission caused a sensation of something wanting. From each one there this thought went out, and so a sudden silence fell upon the party. It was a girl who broke it—a mere child; she wore her hair up that night for the first time, and that seemed to give her the right to sit up so late.

  "Mr. Grady is going to tell one," she said.

  All eyes were turned to a middle-aged man in a deep armchair placed straight in front of the fire. He was short, inclined to be fat, with a bald head and a pointed beard like the beards that sailors wear. It was plain that he was deeply conscious of the sudden turning of so much strained yet forceful thought upon himself. He was restless in his chair as people are in a room that is overheated. He blinked his eyes as he looked round the company. His lips twitched in a nervous manner. One side of him seemed to be endeavoring to restrain another side of him from a feverish desire to speak.

  "It was this room that made me think of him," he said thoughtfully.

  There was a long silence, but it occurred to no one to prompt him. Every one seemed to understand that he was going to speak, or rather that something inside him was going to speak, some force that craved expression and was using him as a medium.

  The little old man's pink face grew strangely calm, the animation that usually lit it was gone. One would have said that the girl who had started him already regretted the impulse, and now wanted to stop him. She was breathing heavily, and once or twice made as though she would speak to him, but no words came. She must have abandoned the idea, for she fell to studying the company. She examined them carefully, one by one. "This one," she told herself, "is so-and-so, and that one there just another so-and-so." She stared at them, knowing that she could not turn them to herself with her stare. They were just bodies kept working, so to speak, by some subtle sort of sentry left behind by the real selves that streamed out in pent-up thought to the little old man in the chair in front of the fire.

  "His name was Joseph; at least they called him Joseph. He dreamed, you understand—dreams. He was an extraordinary lad in many ways. His mother—I knew her very well—had three children in quick succession, soon after marriage; then ten years went by and Joseph was born. Quiet and reserved he always was, a self-contained child whose only friend was his mother. People said things about him, you know how people talk. Some said he was not Clara's child at all, but that she had adopted him; others, that her husband was not his father, and these put her change of manner down to a perpetual struggle to keep her husband comfortably in the dark. I always imagined that the boy was in some way aware of all this gossip, for I noticed that he took a dislike to the people who spread it most."

  The little man rested his elbows on the arms of his chair and let the tips of his fingers meet in front of him. A smile played about his mouth. He seemed to be
searching among his reminiscences for the one that would give the clearest portrait of Joseph.

  "Well, anyway," he said at last, "the boy was odd, there is no gainsaying the fact. I suppose he was eleven when Clara came down here with her family for Christmas. The Coningtons owned the place then—Mrs. Conington was Clara's sister. It was Christmas Eve, as it is now, many years ago. We had spent a normal Christmas Eve; a little happier, perhaps, than usual by reason of the family re-union and because of the presence of so many children. We had eaten and drank, laughed and played and gone to bed.

  "I woke in the middle of the night from sheer restlessness. Clara, knowing my weakness, had given me a fire in my room. I lit a cigarette, played with a book, and then, purely from curiosity, opened the door and looked down the passage. From my door I could see the head of the staircase in the distance; the opposite wing of the house, or the passage rather beyond the stairs, was in darkness. The reason I saw the staircase at all was that the window you pass coming downstairs allowed the moon to throw an uncertain light upon it, a weird light because of the stained glass. I was arrested by the curious effect of this patch of light in so much darkness when suddenly someone came into it, turned, and went downstairs. It was just like a scene in a theater; something was about to happen that I was going to miss. I ran as I was, barefooted, to the head of the stairs and looked over the banister. I was excited, strung up, too strung up to feel the fright that I knew must be with me. I remember the sensation perfectly. I knew that I was afraid, yet I did not feel fright.