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  "Get offen me! Get offen me!" yell' dat log.

  So li'l' black Mose he git' offen dat log, an' no mistake.

  An' soon as he git' offen de log, de log uprise, an' li'l' black Mose he see' dat dat log am de king ob all de ghostes. An' whin de king uprise, all de congregation crowd round li'l' black Mose, an' dey am about leben millium an' a few lift over. Yes, sah; dat de reg'lar annyul Hallowe'en convintion whut li'l' black Mose interrup'. Right dar am all de sperits in de world, an' all de ha'nts in de world, an' all de hobgoblins in de world, an' all de ghouls in de world, an' all de spicters in de world, an' all de ghostes in de world. An' whin dey see li'l' black Mose, dey all gnash dey teef an' grin' 'ca'se it gettin' erlong toward dey-all's lunch-time. So de king, whut he name old Skull-an'-Bones, he step' on top ob li'l' Mose's head, an' he say':

  "Gin'l'min, de convintion will come to order. De sicretary please note who is prisint. De firs' business whut come' before de convintion am: whut we gwine do to a li'l' black boy whut stip' on de king an' maul' all ober de king an' treat' de king dat disrespictful'."

  An' li'l' black Mose jes moan' an' sob':

  "'Scuse me! 'Scuse me, Mistah King! Ah ain't mean no harm at all."

  But nobody ain't pay no attintion to him at all, 'ca'se yevery one lookin' at a monstrous big ha'nt whut name Bloody Bones, whut rose up an' spoke.

  "Your Honor, Mistah King, an' gin'l'min an' ladies," he say', "dis am a right bad case ob lazy majesty, 'ca'se de king been step on. Whin yivery li'l' black boy whut choose' gwine wander round at night an' stip on de king ob ghostes, it ain't no time for to palaver, it ain't no time for to prevaricate, it ain't no time for to cogitate, it ain't no time do nuffin' but tell de truth, an' de whole truth, an' nuffin' but de truth."

  An' all dem ghostes sicond de motion, an' dey confabulate out loud erbout dat, an' de noise soun' like de rain-doves goin', "Oo-oo-o-o-o!" an' de owls goin', "Whut-whoo-o-o-o!" an' de wind goin', "You-you-o-o-o!" So dat risolution am passed unanermous, an' no mistake.

  So de king ob de ghostes, whut name old Skull-an'-Bones, he place' he hand on de head ob li'l' black Mose, an' he hand feel like a wet rag, an' he say':

  "Dey ain't no ghosts."

  An' one ob de hairs whut on de head ob li'l' black Mose turn' white.

  An' de monstrous big ha'nt whut he name Bloody Bones he lay he hand on de head ob li'l' black Mose, an' he hand feel like a toadstool in de cool ob de day, an' he say':

  "Dey ain't no ghosts."

  An' anudder ob de hairs whut on de head ob li'l' black Mose turn' white.

  An' a heejus sperit whut he name Moldy Pa'm place' he hand on de head ob li'l' black Mose, an' he hand feel like de yunner side ob a lizard, an' he say':

  "Dey ain't no ghosts."

  An' anudder ob de hairs whut on de head ob li'l' black Mose turn' white as snow.

  An' a perticklar bend-up hobgoblin he put' he hand on de head ob li'l' black Mose, an' he mek' dat same remark, an' dat whole convintion ob ghostes an' spicters an' ha'nts an' yiver-thing, which am more 'n a millium, pass by so quick dey-all's hands feel lak de wind whut blow outen de cellar whin de day am hot, an' dey-all say, "Dey ain't no ghosts." Yas, sah, dey-all say dem wo'ds so fas' it souun' like de wind whin it moan frough de turkentine-trees whut behind de cider-priss. An' yivery hair whut on li'l' black Mose's head turn' white. Dat whut happen' whin a li'l' black boy gwine meet a ghost convintion dat-away. Dat's so he ain' gwine forgit to remimber dey ain't no ghostes. 'Ca'se ef a li'l' black boy gwine imaginate dey is ghostes, he gwine be skeered in de dark. An' dat a foolish thing for to imaginate.

  So prisintly all de ghostes am whiff away, like de fog outen de holler whin de wind blow' on it, an' li'l' black Mose he ain' see no ca'se for to remain in dat locality no longer. He rotch' down, an' he raise' up de pumpkin, an' he perambulate' right quick to he ma's shack, an' he lift' up de latch, an' he open' de do', an' he yenter' in. An' he say':

  "Yere's de pumpkin."

  An' he ma an' he pa, an' Sally Ann, whut live up de road, an' Mistah Sally Ann, whut her husban', an' Zack Badget, an' de school-teacher whut board at Unc'-Silas Diggs's house, an' all de powerful lot of folks whut come to de doin's, dey all scrooged back in de cornder ob de shack, 'ca'se Zack Badget he been done tell a ghost-tale, an' de rain-doves gwine, "Oo-oo-o-o-o!" an' de owls am gwine, "Whut-whoo-o-o-o!" and de wind it gwine, "You-you-o-o-o!" an' yiver-body powerful skeered. 'Ca'se li'l' black Mose he come' a-fumblin' an' a-rattlin' at de do' jes whin dat ghost-tale mos' skeery, an' yiver'body gwine imaginate dat he a ghost a-fumblin' an' a-rattlin' at de do'. Yas, sah. So li'l' black Mose he turn' he white head, an' he look' roun' an' peer' roun', an' he say':

  "Whut you all skeered fo'?"

  'Ca'se ef anybody skeered, he want' to be skeered, too. Dat 's natural. But de school-teacher, whut live at Unc' Silas Diggs's house, she say':

  "Fo' de lan's sake, we fought you was a ghost!"

  So li'l' black Mose he sort ob sniff an' he sort ob sneer, an' he 'low':

  "Huh! dey ain't no ghosts."

  Den he ma she powerful took back dat li'l' black Mose he gwine be so uppetish an' contrydict folks whut know 'rifmeticks an' algebricks an' gin'ral countin' widout fingers, like de school-teacher whut board at Unc' Silas Diggs's house knows, an' she say':

  "Huh! whut you know 'bout ghosts, anner ways?"

  An' li'l' black Mose he jes kinder stan' on one foot, an' he jes kinder suck' he thumb, an' he jes kinder 'low':

  "I don' know nuffin' erbout ghosts, 'ca'se dey ain't no ghosts."

  So he pa gwine whop him fo' tellin' a fib 'bout dey ain' no ghosts whin yiver'body know' dey is ghosts; but de school-teacher, whut board at Unc' Silas Diggs's house, she tek' note de hair ob li'l' black Mose's head am plumb white, an' she tek' note li'l' black Mose's face am de color ob wood-ash, so she jes retch' one arm round dat li'l' black boy, an' she jes snuggle' him up, an' she say':

  "Honey lamb, don't you be skeered; ain' nobody gwine hurt you. How you know dey ain't no ghosts?"

  An' li'l' black Mose he kinder lean' up 'g'inst de school-teacher whut board at Unc' Silas Diggs's house, an' he 'low':

  "'Ca'se—'ca'se—'ca'se I met de cap'n ghost, an' I met de gin'ral ghost, an' I met de king ghost, an' I met all de ghostes whut yiver was in de whole worl', an' yivery ghost say' de same thing: 'Dey ain't no ghosts.' An' if de cap'n ghost an' de gin'ral ghost an' de king ghost an' all de ghostes in de whole worl' don' know ef dar am ghostes, who does?"

  "Das right; das right, honey lamb," say' de school-teacher. And she say': "I been s'picious dey ain' no ghostes dis long whiles, an' now I know. Ef all de ghostes say dey ain' no ghosts, dey ain' no ghosts."

  So yiver'body 'low' dat so 'cep' Zack Badget, whut been tellin' de ghost-tale, an' he ain' gwine say "Yis" an' he ain' gwine say "No," 'ca'se he right sweet on de school-teacher; but he know right well he done seen plinty ghostes in he day. So he boun' to be sure fust. So he say' to li'l' black Mose:

  "'Tain' likely you met up wid a monstrous big ha'nt whut live' down de lane whut he name Bloody Bones?"

  "Yas," say' li'l' black Mose, "I done met up wid him."

  "An' did old Bloody Bones done tol' you dey ain' no ghosts?" say Zack Badget.

  "Yas," say' li'l' black Mose, "he done tell me perzackly dat."

  "Well, if he tol' you dey ain't no ghosts," say' Zack Badget, "I got to 'low dey ain't no ghosts, 'ca'se he ain' gwine tell no lie erbout it. I know dat Bloody Bones ghost sence I was a piccaninny, an' I done met up wif him a powerful lot o' times, an' he ain' gwine tell no lie erbout it. Ef dat perticklar ghost say' dey ain't no ghosts, dey ain't no ghosts."

  So yiver-body say':

  "Das right; dey ain't no ghosts."

  An' dat mek' li'l' black Mose feel mighty good, 'ca'se he ain' lak ghostes. He reckon' he gwine be a heap mo' comfortable in he mind sence he know' dey ain' no ghosts, an' he reckon' he ain' gwine be skeered of nuffin' never no more. He ain' gwine min' de dark, an' he ain' gwine min' de rain-doves whut go', "Oo-oo
-o-o-o!" an' he ain' gwine min' de owls whut go', "Who-whoo-o-o-o!" an' he ain' gwine min' de wind whut go', "You-you-o-o-o!" nor nuffin', nohow. He gwine be brave as a lion, sence he know' fo' sure dey ain' no ghosts. So prisintly he ma say':

  "Well, time fo' a li'l' black boy whut he name is Mose to be gwine up de ladder to de loft to bed."

  An' li'l' black Mose he 'low' he gwine wait a bit. He 'low' he gwine jes wait a li'l' bit. How 'low' he gwine be no trouble at all ef he jes been let wait twell he ma she gwine up de ladder to de loft to bed, too. So he ma she say':

  "Git erlong wid yo'! Whut yo' skeered ob whin dey ain't no ghosts?"

  An' li'l' black Mose he scrooge', and he twist', an' he pucker' up he mouf, an' he rub' he eyes, an' prisintly he say' right low:

  "I ain' skeered ob ghosts whut am, 'ca'se dey ain' no ghosts."

  "Den whut am yo' skeered ob?" ask he ma.

  "Nuffin'," say' de li'l' black boy whut he name is Mose; "but I jes feel kinder oneasy 'bout de ghosts whut ain't."

  Jes lak white folks! Jes lak white folks!

  The Banshees of Ireland

  Table of Content

  Of all Irish ghosts, fairies, or bogles, the Banshee (sometimes called locally the "Bohee—ntha" or "Bankee—ntha" ) is the best known to the general public: indeed, cross-Channel visitors would class her with pigs, potatoes, and other fauna and flora of Ireland, and would expect her to make manifest her presence to them as being one of the sights of the country. She is a spirit with a lengthy pedigree—how lengthy no man can say, as its roots go back into the dim, mysterious past. The most famous Banshee of ancient times was that attached to the kingly house of O'Brien, Aibhill, who haunted the rock of Craglea above Killaloe, near the old palace of Kincora. In a.d. 1014 was fought the battle of Clontarf, from which the aged king, Brian Boru, knew that he would never come away alive, for the previous night Aibhill had appeared to him to tell him of his impending fate. The Banshee's method of foretelling death in olden times differed from that adopted by her at the present day: now she wails and wrings her hands, as a general rule, but in the old Irish tales she is to be found washing human heads and limbs, or blood-stained clothes, till the water is all dyed with human blood—this would take place before a battle. So it would seem that in the course of centuries her attributes and characteristics have changed somewhat.

  Very different descriptions are given of her personal appearance. Sometimes she is young and beautiful, sometimes old and of a fearsome appearance. One writer describes her as "a tall, thin woman with uncovered head, and long hair that floated round her shoulders, attired in something which seemed either a loose white cloak, or a sheet thrown hastily around her, uttering piercing cries." Another person, a coachman, saw her one evening sitting on a stile in the yard; she seemed to be a very small woman, with blue eyes, long light hair, and wearing a red cloak. Other descriptions will be found in this chapter. By the way, it does not seem to be true that the Banshee exclusively follows families of Irish descent, for the last incident had reference to the death of a member of a Co. Galway family English by name and origin.

  One of the oldest and best-known Banshee stories is that related in the Memoirs of Lady Fanshaw. In 1642 her husband, Sir Richard, and she chanced to visit a friend, the head of an Irish sept, who resided in his ancient baronial castle, surrounded with a moat. At midnight she was awakened by a ghastly and supernatural scream, and looking out of bed, beheld in the moonlight a female face and part of the form hovering at the window. The distance from the ground, as well as the circumstance of the moat, excluded the possibility that what she beheld was of this world. The face was that of a young and rather handsome woman, but pale, and the hair, which was reddish, was loose and disheveled. The dress, which Lady Fanshaw's terror did not prevent her remarking accurately, was that of the ancient Irish. This apparition continued to exhibit itself for some time, and then vanished with two shrieks similar to that which had first excited Lady Fanshaw's attention. In the morning, with infinite terror, she communicated to her host what she had witnessed, and found him prepared not only to credit, but to account for the superstition. "A near relation of my family," said he; "expired last night in this castle. We disguised our certain expectation of the event from you, lest it should throw a cloud over the cheerful reception which was your due. Now, before such an event happens in this family or castle, the female specter whom you have seen is always visible. She is believed to be the spirit of a woman of inferior rank, whom one of my ancestors degraded himself by marrying, and whom afterwards, to expiate the dishonor done to his family, he caused to be drowned in the moat." In strictness this woman could hardly be termed a Banshee. The motive for the haunting is akin to that in the tale of the Scotch "Drummer of Cortachy," where the spirit of the murdered man haunts the family out of revenge, and appears before a death.

  Mr. T.J. Westropp, M.A., has furnished the following story: "My maternal grandmother heard the following tradition from her mother, one of the Miss Ross-Lewins, who witnessed the occurrence. Their father, Mr. Harrison Ross-Lewin, was away in Dublin on law business, and in his absence the young people went off to spend the evening with a friend who lived some miles away. The night was fine and lightsome as they were returning, save at one point where the road ran between trees or high hedges not far to the west of the old church of Kilchrist. The latter, like many similar ruins, was a simple oblong building, with long side-walls and high gables, and at that time it and its graveyard were unenclosed, and lay in the open fields. As the party passed down the long dark lane they suddenly heard in the distance loud keening and clapping of hands, as the country-people were accustomed to do when lamenting the dead. The Ross-Lewins hurried on, and came in sight of the church, on the side wall of which a little gray-haired old woman, clad in a dark cloak, was running to and fro, chanting and wailing, and throwing up her arms. The girls were very frightened, but the young men ran forward and surrounded the ruin, and two of them went into the church, the apparition vanishing from the wall as they did so. They searched every nook, and found no one, nor did any one pass out. All were now well scared, and got home as fast as possible. On reaching their home their mother opened the door, and at once told them that she was in terror about their father, for, as she sat looking out the window in the moonlight, a huge raven with fiery eyes lit on the sill, and tapped three times on the glass. They told her their story, which only added to their anxiety, and as they stood talking, taps came to the nearest window, and they saw the bird again. A few days later news reached them that Mr. Ross-Lewin had died suddenly in Dublin. This occurred about 1776."

  Mr. Westropp also writes that the sister of a former Roman Catholic Bishop told his sisters that when she was a little girl she went out one evening with some other children for a walk. Going down the road, they passed the gate of the principal demesne near the town. There was a rock, or large stone, beside the road, on which they saw something. Going nearer, they perceived it to be a little dark, old woman, who began crying and clapping her hands. Some of them attempted to speak to her, but got frightened, and all finally ran home as quickly as they could. Next day the news came that the gentleman near whose gate the Banshee had cried, was dead, and it was found on inquiry that he had died at the very hour at which the children had seen the specter.

  A lady who is a relation of one of the compilers, and a member of a Co. Cork family of English descent, sends the two following experiences of a Banshee in her family. "My mother, when a young girl, was standing looking out of the window in their house at Blackrock, near Cork. She suddenly saw a white figure standing on a bridge which was easily visible from the house. The figure waved her arms towards the house, and my mother heard the bitter wailing of the Banshee. It lasted some seconds, and then the figure disappeared. Next morning my grandfather was walking as usual into the city of Cork. He accidentally fell, hit his head against the curbstone, and never recovered consciousness.

  "In March, 1900, my mother was very ill, and one evening the n
urse and I were with her arranging her bed. We suddenly heard the most extraordinary wailing, which seemed to come in waves round and under her bed. We naturally looked everywhere to try and find the cause, but in vain. The nurse and I looked at one another, but made no remark, as my mother did not seem to hear it. My sister was downstairs sitting with my father. She heard it, and thought some terrible thing had happened to her little boy, who was in bed upstairs. She rushed up, and found him sleeping quietly. My father did not hear it. In the house next door they heard it, and ran downstairs, thinking something had happened to the servant; but the latter at once said to them, 'Did you hear the Banshee? Mrs. P—— must be dying.'"

  A few years ago (i.e. before 1894) a curious incident occurred in a public school in connection with the belief in the Banshee. One of the boys, happening to become ill, was at once placed in a room by himself, where he used to sit all day. On one occasion, as he was being visited by the doctor, he suddenly started up from his seat, and affirmed that he heard somebody crying. The doctor, of course, who could hear or see nothing, came to the conclusion that the illness had slightly affected his brain. However, the boy, who appeared quite sensible, still persisted that he heard some one crying, and furthermore said, "It is the Banshee, as I have heard it before." The following morning the head-master received a telegram saying that the boy's brother had been accidentally shot dead.

  That the Banshee is not confined within the geographical limits of Ireland, but that she can follow the fortunes of a family abroad, and there foretell their death, is clearly shown by the following story. A party of visitors were gathered together on the deck of a private yacht on one of the Italian lakes, and during a lull in the conversation one of them, a Colonel, said to the owner, "Count, who's that queer-looking woman you have on board?" The Count replied that there was nobody except the ladies present, and the stewardess, but the speaker protested that he was correct, and suddenly, with a scream of horror, he placed his hands before his eyes, and exclaimed, "Oh, my God, what a face!" For some time he was overcome with terror, and at length reluctantly looked up, and cried: