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  "I shall not die! I shall not die!" she cried, clinging to my neck, half mad with joy. "I can love thee yet for a long time. My life is thine, and all that is of me comes from thee. A few drops of thy rich and noble blood, more precious and more potent than all the elixirs of the earth, have given me back life."

  This scene long haunted my memory, and inspired me with strange doubts in regard to Clarimonde; and the same evening, when slumber had transported me to my presbytery, I beheld the Abbé Sérapion, graver and more anxious of aspect than ever. He gazed attentively at me, and sorrowfully exclaimed: "Not content with losing your soul, you now desire also to lose your body. Wretched young man, into how terrible a plight have you fallen!" The tone in which he uttered these words powerfully affected me, but in spite of its vividness even that impression was soon dissipated, and a thousand other cares erased it from my mind. At last one evening, while looking into a mirror whose traitorous position she had not taken into account, I saw Clarimonde in the act of emptying a powder into the cup of spiced wine which she had long been in the habit of preparing after our repasts. I took the cup, feigned to carry it to my lips, and then placed it on the nearest article of furniture as though intending to finish it at my leisure. Taking advantage of a moment when the fair one's back was turned, I threw the contents under the table, after which I retired to my chamber and went to bed, fully resolved not to sleep, but to watch and discover what should come of all this mystery. I did not have to wait long. Clarimonde entered in her night-dress, and having removed her apparel, crept into bed and lay down beside me. When she felt assured that I was asleep, she bared my arm, and drawing a gold pin from her hair, commenced to murmur in a low voice:

  "One drop, only one drop! One ruby at the end of my needle.... Since thou lovest me yet, I must not die!... Ah, poor love! His beautiful blood, so brightly purple, I must drink it. Sleep, my only treasure! Sleep, my god, my child! I will do thee no harm; I will only take of thy life what I must to keep my own from being forever extinguished. But that I love thee so much, I could well resolve to have other lovers whose veins I could drain; but since I have known thee all other men have become hateful to me.... Ah, the beautiful arm! How round it is! How white it is! How shall I ever dare to prick this pretty blue vein!" And while thus murmuring to herself she wept, and I felt her tears raining on my arm as she clasped it with her hands. At last she took the resolve, slightly punctured me with her pin, and commenced to suck up the blood which oozed from the place. Although she swallowed only a few drops, the fear of weakening me soon seized her, and she carefully tied a little band around my arm, afterward rubbing the wound with an unguent which immediately cicatrized it.

  Further doubts were impossible. The Abbé Sérapion was right. Notwithstanding this positive knowledge, however, I could not cease to love Clarimonde, and I would gladly of my own accord have given her all the blood she required to sustain her factitious life. Moreover, I felt but little fear of her. The woman seemed to plead with me for the vampire, and what I had already heard and seen sufficed to reassure me completely. In those days I had plenteous veins, which would not have been so easily exhausted as at present; and I would not have thought of bargaining for my blood, drop by drop. I would rather have opened myself the veins of my arm and said to her: "Drink, and may my love infiltrate itself throughout thy body together with my blood!" I carefully avoided ever making the least reference to the narcotic drink she had prepared for me, or to the incident of the pin, and we lived in the most perfect harmony.

  Yet my priestly scruples commenced to torment me more than ever, and I was at a loss to imagine what new penance I could invent in order to mortify and subdue my flesh. Although these visions were involuntary, and though I did not actually participate in anything relating to them, I could not dare to touch the body of Christ with hands so impure and a mind defiled by such debauches whether real or imaginary. In the effort to avoid falling under the influence of these wearisome hallucinations, I strove to prevent myself from being overcome by sleep. I held my eyelids open with my fingers, and stood for hours together leaning upright against the wall, fighting sleep with all my might; but the dust of drowsiness invariably gathered upon my eyes at last, and finding all resistance useless, I would have to let my arms fall in the extremity of despairing weariness, and the current of slumber would again bear me away to the perfidious shores. Sérapion addressed me with the most vehement exhortations, severely reproaching me for my softness and want of fervour. Finally, one day when I was more wretched than usual, he said to me: "There is but one way by which you can obtain relief from this continual torment, and though it is an extreme measure it must be made use of; violent diseases require violent remedies. I know where Clarimonde is buried. It is necessary that we shall disinter her remains, and that you shall behold in how pitiable a state the object of your love is. Then you will no longer be tempted to lose your soul for the sake of an unclean corpse devoured by worms, and ready to crumble into dust. That will assuredly restore you to yourself." For my part, I was so tired of this double life that I at once consented, desiring to ascertain beyond a doubt whether a priest or a gentleman had been the victim of delusion. I had become fully resolved either to kill one of the two men within me for the benefit of the other, or else to kill both, for so terrible an existence could not last long and be endured. The Abbé Sérapion provided himself with a mattock, a lever, and a lantern, and at midnight we wended our way to the cemetery of ——, the location and place of which were perfectly familiar to him. After having directed the rays of the dark lantern upon the inscriptions of several tombs, we came at last upon a great slab, half concealed by huge weeds and devoured by mosses and parasitic plants, whereupon we deciphered the opening lines of the epitaph:

  Here lies Clarimonde

  Who was famed in her life-time

  As the fairest of women.1

  "It is here without a doubt," muttered Sérapion, and placing his lantern on the ground, he forced the point of the lever under the edge of the stone and commenced to raise it. The stone yielded, and he proceeded to work with the mattock. Darker and more silent than the night itself, I stood by and watched him do it, while he, bending over his dismal toil, streamed with sweat, panted, and his hard-coming breath seemed to have the harsh tone of a death rattle. It was a weird scene, and had any persons from without beheld us, they would assuredly have taken us rather for profane wretches and shroud-stealers than for priests of God. There was something grim and fierce in Sérapion's zeal which lent him the air of a demon rather than of an apostle or an angel, and his great aquiline face, with all its stern features brought out in strong relief by the lantern-light, had something fearsome in it which enhanced the unpleasant fancy. I felt an icy sweat come out upon my forehead in huge beads, and my hair stood up with a hideous fear. Within the depths of my own heart I felt that the act of the austere Sérapion was an abominable sacrilege; and I could have prayed that a triangle of fire would issue from the entrails of the dark clouds, heavily rolling above us, to reduce him to cinders. The owls which had been nestling in the cypress-trees, startled by the gleam of the lantern, flew against it from time to time, striking their dusty wings against its panes, and uttering plaintive cries of lamentation; wild foxes yelped in the far darkness, and a thousand sinister noises detached themselves from the silence. At last Sérapion's mattock struck the coffin itself, making its planks re-echo with a deep sonorous sound, with that terrible sound nothingness utters when stricken. He wrenched apart and tore up the lid, and I beheld Clarimonde, pallid as a figure of marble, with hands joined; her white winding-sheet made but one fold from her head to her feet. A little crimson drop sparkled like a speck of dew at one corner of her colourless mouth. Sérapion, at this spectacle, burst into fury: "Ah, thou art here, demon! Impure courtesan! Drinker of blood and gold!" And he flung holy water upon the corpse and the coffin, over which he traced the sign of the cross with his sprinkler. Poor Clarimonde had no sooner been touched by the blessed spray t
han her beautiful body crumbled into dust, and became only a shapeless and frightful mass of cinders and half-calcined bones.

  "Behold your mistress, my Lord Romuald!" cried the inexorable priest, as he pointed to these sad remains. "Will you be easily tempted after this to promenade on the Lido or at Fusina with your beauty?" I covered my face with my hands, a vast ruin had taken place within me. I returned to my presbytery, and the noble Lord Romuald, the lover of Clarimonde, separated himself from the poor priest with whom he had kept such strange company so long. But once only, the following night, I saw Clarimonde. She said to me, as she had said the first time at the portals of the church: "Unhappy man! Unhappy man! What hast thou done? Wherefore have hearkened to that imbecile priest? Wert thou not happy? And what harm had I ever done thee that thou shouldst violate my poor tomb, and lay bare the miseries of my nothingness? All communication between our souls and our bodies is henceforth forever broken. Adieu! Thou will yet regret me!" She vanished in air as smoke, and I never saw her more.

  Alas! she spoke truly indeed. I have regretted her more than once, and I regret her still. My soul's peace has been very dearly bought. The love of God was not too much to replace such a love as hers. And this, brother, is the story of my youth. Never gaze upon a woman, and walk abroad only with eyes ever fixed upon the ground; for however chaste and watchful one may be, the error of a single moment is enough to make one lose eternity.

  1 Ici git Clarimonde

  Qui fut de son vivant

  La plus belle du monde.

  The broken beauty of the lines is unavoidably lost in the translation.

  The Stalls of Barchester Cathedral (M. R. James)

  Table of Content

  This matter began, as far as I am concerned, with the reading of a notice in the obituary section of the Gentleman's Magazine for an early year in the nineteenth century:

  "On February 26th, at his residence in the Cathedral Close of Barchester, the Venerable John Benwell Haynes, D.D., aged 57, Archdeacon of Sowerbridge and Rector of Pickhill and Candley. He was of —— College, Cambridge, and where, by talent and assiduity, he commanded the esteem of his seniors; when, at the usual time, he took his first degree, his name stood high in the list of wranglers. These academical honours procured for him within a short time a Fellowship of his College. In the year 1873 he received Holy Orders, and was shortly afterwards presented to the perpetual Curacy of Ranxton-sub-Ashe by his friend and patron the late truly venerable Bishop of Lichfield.... His speedy preferments, first to a Prebend, and subsequently to the dignity of Precentor in the Cathedral of Barchester, form an eloquent testimony to the respect in which he was held and to his eminent qualifications. He succeeded to the Archdeaconry upon the sudden decease of Archdeacon Pulteney in 1810. His sermons, ever conformable to the principles of the religion and Church which he adorned, displayed in no ordinary degree, without the least trace of enthusiasm, the refinement of the scholar united with the graces of the Christian. Free from sectarian violence, and informed by the spirit of the truest charity, they will long dwell in the memories of his hearers. (Here a further omission.) The productions of his pen include an able defence of Episcopacy, which, though often perused by the author of this tribute to his memory, afford but one additional instance of the want of liberality and enterprise which is a too common characteristic of the publishers of our generation. His published works are, indeed, confined to a spirited and elegant version of the Argonautica of Valerius Flaccus, a volume of Discourses upon the Several Events in the Life of Joshua, delivered in his Cathedral, and a number of the charges which he pronounced at various visitations to the clergy of his Archdeaconry. These are distinguished by etc., etc. The urbanity and hospitality of the subject of these lines will not readily be forgotten by those who enjoyed his acquaintance. His interest in the venerable and awful pile under whose hoary vault he was so punctual an attendant, and particularly in the musical portion of its rites, might be termed filial, and formed a strong and delightful contrast to the polite indifference displayed by too many of our Cathedral dignitaries at the present time."

  The final paragraph, after informing us that Dr. Haynes died a bachelor, says:

  "It might have been augured that an existence so placid and benevolent would have been terminated in a ripe old age by a dissolution equally gradual and calm. But how unsearchable are the workings of Providence! The peaceful and retired seclusion amid which the honoured evening of Dr. Haynes' life was mellowing to its close was destined to be disturbed, nay, shattered, by a tragedy as appalling as it was unexpected. The morning of the 26th of February——"

  But perhaps I shall do better to keep back the remainder of the narrative until I have told the circumstances which led up to it. These, as far as they are now accessible, I have derived from another source.

  I had read the obituary notice which I have been quoting, quite by chance, along with a great many others of the same period. It had excited some little speculation in my mind, but, beyond thinking that, if I ever had an opportunity of examining the local records of the period indicated, I would try to remember Dr. Haynes, I made no effort to pursue his case.

  Quite lately I was cataloguing the manuscripts in the library of the college to which he belonged. I had reached the end of the numbered volumes on the shelves, and I proceeded to ask the librarian Whether there were any more books which he thought I ought to include in my description. "I don't think there are," he said, "but we had better come and look at the manuscript class and make sure. Have you time to do that now?" I had time. We went to the library, checked off the manuscripts, and, at the end of our survey arrived at a shelf of which I had seen nothing. Its contents consisted for the most part of sermons, bundles of fragmentary papers, college exercises, Cyrus, an epic poem in several cantos, the product of a country clergyman's leisure, mathematical tracts by a deceased professor, and other similar material of a kind with which I am only too familiar. I took brief notes of these. Lastly, there was a tin box, which was pulled out and dusted. Its label, much faded, was thus inscribed: "Papers of the Ven. Archdeacon Haynes. Bequeathed in 1834 by his sister, Miss Letitia Haynes."

  I knew at once that the name was one which I had somewhere encountered, and could very soon locate it. "That must be the Archdeacon Haynes who came to a very odd end at Barchester. I've read his obituary in the Gentleman's Magazine. May I take the box home? Do you know if there is anything interesting in it?"

  The librarian was very willing that I should take the box and examine it at leisure. "I never looked inside it myself," he said, "but I've always been meaning to. I am pretty sure that is the box which our old Master once said ought never to have been accepted by the college. He said that to Martin years ago; and he said also that as long as he had control over the library it should never be opened. Martin told me about it, and said that he wanted terribly to know what was in it; but the Master was librarian, and always kept the box in the lodge, so there was no getting at it in his time, and when he died it was taken away by mistake by his heirs, and only returned a few years ago. I can't think why I haven't opened it; but, as I have to go away from Cambridge this afternoon, you had better have first go at it. I think I can trust you not to publish anything undesirable in our catalogue."

  I took the box home and examined its contents, and thereafter consulted the librarian as to what should be done about publication, and, since I have his leave to make a story out of it, provided I disguise the identity of the people concerned, I will try what can be done.

  The materials are, of course, mainly journals and letters. How much I shall quote and how much epitomize must be determined by considerations of space. The proper understanding of the situation has necessitated a little—not very arduous—research, which has been greatly facilitated by the excellent illustrations and text of the Barchester volume in Bell's Cathedral Series.

  When you enter the choir of Barchester Cathedral now, you pass through a screen of metal and coloured marbles, designed by S
ir Gilbert Scott, and find yourself in what I must call a very bare and odiously furnished place. The stalls are modern, without canopies. The places of the dignitaries and the names of the prebends have fortunately been allowed to survive, and are inscribed on small brass plates affixed to the stalls. The organ is in the triforium, and what is seen of the case is Gothic. The reredos and its surroundings are like every other.

  Careful engravings of a hundred years ago show a very different state of things. The organ is on a massive classical screen. The stalls are also classical and very massive. There is a baldacchino of wood over the altar, with urns upon its corners. Further east is a solid altar screen, classical in design, of wood, with a pediment, in which is a triangle surrounded by rays, enclosing certain Hebrew letters in gold. Cherubs contemplate these. There is a pulpit with a great sounding-board at the eastern end of the stalls on the north side, and there is a black and white marble pavement. Two ladies and a gentleman are admiring the general effect. From other sources I gather that the archdeacon's stall then, as now, was next to the bishop's throne at the south-eastern end of the stalls. His house almost faces the western part of the church, and is a fine red-brick building of William the Third's time.