The Golden Book of World's Greatest Mysteries Read online

  "It was this room that made me think of him," he said thoughtfully.

  There was a long silence, but it occurred to no one to prompt him. Everyone seemed to understand that he was going to speak, or rather that something inside him was going to speak, some force that craved expression and was using him as a medium.

  The little old man's pink face grew strangely calm, the animation that usually lit it was gone. One would have said that the girl who had started him already regretted the impulse, and now wanted to stop him. She was breathing heavily, and once or twice made as though she would speak to him, but no words came. She must have abandoned the idea, for she fell to studying the company. She examined them carefully, one by one. "This one," she told herself, "is so-and-so, and that one there just another so-and-so." She stared at them, knowing that she could not turn them to herself with her stare. They were just bodies kept working, so to speak, by some subtle sort of sentry left behind by the real selves that streamed out in pent-up thought to the little old man in the chair in front of the fire.

  "His name was Joseph: at least they called him Joseph. He dreamed, you understand—dreams. He was an extraordinary lad in many ways. His mother—I knew her very well—had three children in quick succession, soon after marriage; then ten years went by and Joseph was born. Quiet and reserved he always was, a self-contained child whose only friend was his mother. People said things about him, you know how people talk. Some said he was not Clara's child at all, but that she had adopted him; others, that her husband was not his father, and these put her change of manner down to a perpetual struggle to keep her husband comfortably in the dark. I always imagined that the boy was in some way aware of all this gossip, for I noticed that he took a dislike to the people who spread it most."

  The little man rested his elbows on the arms of his chair and let the tips of his fingers meet in front of him. A smile played about his mouth. He seemed to be searching among his reminiscences for the one that would give the clearest portrait of Joseph.

  "Well, anyway," he said at last, "the boy was odd, there is no gainsaying the fact. I suppose he was eleven when Clara came down here with her family for Christmas. The Coningtons owned the place then—Mrs. Conington was Clara's sister. It was Christmas Eve, as it is now, many years ago. We had spent a normal Christmas Eve; a little happier, perhaps, than usual by reason of the family reunion and because of the presence of so many children. We had eaten and drank, laughed and played and gone to bed.

  "I woke in the middle of the night from sheer restlessness. Clara, knowing my weakness, had given me a fire in my room. I lit a cigarette, played with a book, and then, purely from curiosity, opened the door and looked down the passage. From my door I could see the head of the staircase in the distance; the opposite wing of the house, or the passage rather beyond the stairs, was in darkness. The reason I saw the staircase at all was that the window you pass coming downstairs allowed the moon to throw an uncertain light upon it, a weird light because of the stained glass. I was arrested by the curious effect of this patch of light in so much darkness when suddenly someone came into it, turned, and went downstairs. It was just like a scene in a theatre; something was about to happen that I was going to miss. I ran as I was, barefooted, to the head of the stairs and looked over the banister. I was excited, strung up, too strung up to feel the fright that I knew must be with me. I remember the sensation perfectly. I knew that I was afraid, yet I did not feel fright.

  "On the stairs nothing moved. The little hall down here was lost in darkness. Looking over the banister I was facing the stained glass window. You know how the stairs run round three sides of the hall; well, it occurred to me that if I went half-way down and stood under the window I should be able to keep the top of the stairs in sight and see anything that might happen in the hall. I crept down very cautiously and waited under the window. First of all, I saw the suit of empty armour just outside the door here. You know how a thing like that, if you stare at it in a poor light, appears to move; well, it moved sure enough, and the illusion was enhanced by clouds being blown across the moon. By the fire like this one can talk of these things rationally, but in the dead of night it is a different matter, so I went down a few steps to make sure of that armour, when suddenly something passed me on the stairs. I did not hear it, I did not see it, I sensed it in no way, I just knew that something had passed me on its way upstairs. I realized that my retreat was cut off, and with the knowledge fear came upon me.

  "I had seen someone come down the stairs; that, at any rate, was definite; now I wanted to see him again. Any ghost is bad enough, but a ghost that one can see is better than one that one can't. I managed to get past the suit of armour, but then I had to feel my way to these double doors here."

  He indicated the direction of the doors by a curious wave of his hand. He did not look toward them nor did any of the party. Both men and women were completely absorbed in his story, they seemed to be mesmerized by the earnestness of his manner. Only the girl was restless, she gave an impression of impatience with the slowness with which he came to his point. One would have said that she was apart from her fellows, an alien among strangers.

  "So dense was the darkness that I made sure of finding the first door closed, but it was not, it was wide open, and, standing between them, I could feel that the other was open, too. I was standing literally in the wall of the house, and as I peered into the room, trying to make out some familiar object, thoughts ran through my mind of people who had been bricked up in walls and left there to die. For a moment I caught the spirit of the inside of a thick wall. Then suddenly I felt the sensation I have often read about but never experienced before: I knew there was someone in the room. You are surprised, yes, but wait! I knew more: I knew that that someone was conscious of my presence. It occurred to me that whoever it was might want to get out of the door. I made room for him to pass. I waited for him, made sure of him, began to feel giddy, and then a man's voice, deep and clear:

  "'There is someone there; who is it?'

  "I answered mechanically: 'George Grady.'

  "'I'm Joseph.'

  "A match was drawn across a match-box, and I saw the boy bending over a candle waiting for the wick to catch. For a moment I thought he must be walking in his sleep, but he turned to me quite naturally and said in his own boyish voice:

  "'Lost anything?'

  "I was amazed at the lad's complete calm. I wanted to share my fright with someone, instead I had to hide it from this boy. I was conscious of a curious sense of shame. I had watched him grow, taught him, praised him, scolded him, and yet here he was waiting for an explanation of my presence in the dining-room at that odd hour of the night.

  "Soon he repeated the question: 'Lost anything?'

  "'No,' I said, and then I stammered: 'Have you?'

  "'No,' he said with a little laugh. 'It's that room, I can't sleep in it.'

  "'Oh,' I said. 'What's the matter with the room?'

  "'It's the room I was killed in,' he said quite simply.

  "Of course I had heard about his dreams, but I had had no direct experience of them; when, therefore, he said that he had been killed in his room I took it for granted that he had been dreaming again. I was at a loss to know quite how to tackle him; whether to treat the whole thing as absurd and laugh it off as such, or whether to humour him and hear his story. I got him upstairs to my room, sat him in a big armchair, and poked the fire into a blaze.

  "'You've been dreaming again,' I said bluntly.

  "'Oh, no I haven't. Don't you run away with that idea.'

  "His whole manner was so grown up that it was quite unthinkable to treat him as the child he really was. In fact, it was a little uncanny, this man in a child's frame.

  "'I was killed there,' he said again.

  "'How do you mean killed?' I asked him.

  "'Why, killed—murdered. Of course it was years and years ago, I can't say when; still I remember the room. I suppose it was the room that reminded me of the incident
.'

  "'Incident!' I exclaimed.

  "'What else? Being killed is only an incident in the existence of anyone. One makes a fuss about it at the time, of course, but really when you come to think of it...'

  "'Tell me about it,' I said, lighting a cigarette. He lit one too, that child, and began.

  "'You know my room is the only modern one in this old house. Nobody knows why it is modern. The reason is obvious. Of course it was made modern after I was killed there. The funny thing is that I should have been put there. I suppose it was done for a purpose, because I—I—'

  "He looked at me so fixedly I knew he would catch me if I lied.

  "'What,' I asked.

  "'Dream.'

  "'Yes,' I said, 'that is why you were put there.'

  "'I thought so, and yet of all the rooms—but then, of course, no one knew. Anyhow I did not recognize the room until after I was in bed. I had been asleep some time and then I woke suddenly. There is an old wheel-back chair there—the only old thing in the room. It is standing facing the fire as it must have stood the night I was killed. The fire was burning brightly, the pattern of the back of the chair was thrown in shadow across the ceiling. Now the night I was murdered the conditions were exactly the same, so directly I saw that pattern on the ceiling I remembered the whole thing. I was not dreaming, don't think it, I was not. What happened that night was this: I was lying in bed counting the parts of the back of that chair in shadow on the ceiling. I probably could not get to sleep: you know the sort of thing, count up to a thousand and remember in the morning where you got to. Well, I was counting those pieces when suddenly they were obliterated, the whole back became a shadow, someone was sitting in the chair. Now, surely you understand that directly I saw the shadow of that chair on the ceiling to-night I realized that I had not a moment to lose. At any moment that same person might come back to that same chair and escape would be impossible. I slipped from my bed as quickly as I could and ran downstairs.'

  "'But were you not afraid,' I asked,'downstairs?'

  "'That she might follow me? It was a woman, you know. No, I don't think I was. She does not belong downstairs. Anyhow she didn't.'

  "'No,' I said. 'No.'

  "My voice must have been out of control, for he caught me up at once.

  "'You don't mean to say you saw her?' he said vehemently.

  "'Oh, no.'

  "'You felt her?'

  "'She passed me as I came downstairs,' I said.

  "'What can I have done to her that she follows me so?' He buried his face in his hands as though searching for an answer to his thought. Suddenly he looked up and stared at me.

  "'Where had I got to? Oh yes, the murder. I can remember it all distinctly.

  "'You can imagine how startled I was to see that shadow in the chair—startled, you know, but not really frightened. I leaned up in bed and looked at the chair, and sure enough a woman was sitting in it—a young woman. I watched her with a profound interest until she began to turn in her chair, as I felt, to look at me; when she did that I shrank back in bed. I dared not meet her eyes. She might not have had eyes, she might not have had a face. You know the sort of pictures that one sees when one glances back at all one's soul has ever thought.

  "'I got back in the bed as far as I could and peeped over the sheets at the shadow on the ceiling. I was tired; frightened to death; I grew weary of watching; I must have fallen asleep, for suddenly the fire was almost out, the pattern of the chair barely discernible, the shadow had gone. I raised myself with a sense of huge relief. Yes, the chair was empty, but, just think of it: the woman was on the floor, on her hands and knees, crawling toward the bed.

  "'I fell back stricken with terror.

  "'Very soon I felt a gentle pull at the counterpane. I thought I was in a nightmare but too lazy or too comfortable to try to wake myself from it. I waited in an agony of suspense, but nothing seemed to be happening, in fact I had just persuaded myself that the movement of the counterpane was fancy when a hand brushed softly over my knee. There was no mistaking it, I could feel the long, thin fingers. Now was the time to do something. I tried to rouse myself, but all my efforts were futile, I was stiff from head to foot.

  "'Although the hand was lost to me, outwardly, it now came within my range of knowledge, if you know what I mean. I knew that it was groping its way along the bed, feeling for some other part of me. At any moment I could have said exactly where it had got to. When it was hovering just over my chest another hand knocked lightly against my shoulder. I fancied it lost, and wandering in search of its fellow.

  "'I was lying on my back staring at the ceiling when the hands met; the weight of their presence brought a feeling of oppression to my chest. I seemed to be completely cut off from my body; I had no sort of connection with any part of it, nothing about me would respond to my will to make it move.

  "'There was no sound at all anywhere.

  "'I fell into a state of indifference, a sort of patient indifference that can wait for an appointed time to come. How long I waited I cannot say, but when the time came it found me ready. I was not taken by surprise.

  "'There was a great upward rush of pent-up force released; it was like a mighty mass of men who have been lost in prayer rising to their feet. I can't remember clearly, but I think the woman must have got on to my bed. I could not follow her distinctly, my whole attention was concentrated on her hands. All the time I felt those fingers itching for my throat.

  "'At last they moved; slowly at first, then quicker; and then a long-drawn swish like the sound of an overbold wave that has broken too far up the beach and is sweeping back to join the sea.'

  "The boy was silent for a moment, then he stretched out his hand for the cigarettes.

  "'You remember nothing else?' I asked him.

  "'No,' he said. 'The next thing I remember clearly is deliberately breaking the nursery window because it was raining and mother would not let me go out.'"

  There was a moment's tension, then the strain of listening passed and everyone seemed to be speaking at once. The Rector was taking the story seriously.

  "Tell me, Grady," he said. "How long do you suppose elapsed between the boy's murder and his breaking the nursery window?"

  But a young married woman in the first flush of her happiness broke in between them. She ridiculed the whole idea. Of course the boy was dreaming. She was drawing the majority to her way of thinking when, from the corner where the girl sat, a hollow-sounding voice:

  "And the boy? Where is he?"

  The tone of the girl's voice inspired horror, that fear that does not know what it is it fears; one could see it on every face; on every face, that is, but the face of the bald-headed little man; there was no horror on his face, he was smiling serenely as he looked the girl straight in the eyes.

  "He's a man now," he said.

  "Alive?" she cried.

  "Why not?" said the little old man, rubbing his hands together.

  She tried to rise, but her frock had got caught between the chairs and pulled her to her seat again. The man next her put out his hand to steady her, but she dashed it away roughly. She looked round the party for an instant for all the world like an animal at bay, then she sprang to her feet and charged blindly. They crowded round her to prevent her falling; at the touch of their hands she stopped. She was out of breath as though she had been running.

  "All right," she said, pushing their hands from her. "All right. I'll come quietly. I did it."

  They caught her as she fell and laid her on the sofa watching the colour fade from her face.

  The hostess, an old woman with white hair and a kind face, approached the little old man; for once in her life she was roused to anger.

  "I can't think how you could be so stupid," she said. "See what you have done."

  "I did it for a purpose," he said.

  "For a purpose?"

  "I have always thought that girl was the culprit. I have to thank you for the opportunity you have given me of making
sure."

  Sister Maddelena (Ralph Adams Cram)

  Table of Content

  Across the valley of the Oreto from Monreale, on the slopes of the mountains just above the little village of Parco, lies the old convent of Sta. Catarina. From the cloister terrace at Monreale you can see its pale walls and the slim campanile of its chapel rising from the crowded citron and mulberry orchards that flourish, rank and wild, no longer cared for by pious and loving hands. From the rough road that climbs the mountains to Assunto, the convent is invisible, a gnarled and ragged olive grove intervening, and a spur of cliffs as well, while from Palermo one sees only the speck of white, flashing in the sun, indistinguishable from the many similar gleams of desert monastery or pauper village.

  Partly because of this seclusion, partly by reason of its extreme beauty, partly, it may be, because the present owners are more than charming and gracious in their pressing hospitality, Sta. Catarina seems to preserve an element of the poetic, almost magical; and as I drove with the Cavaliere Valguanera one evening in March out of Palermo, along the garden valley of the Oreto, then up the mountain side where the warm light of the spring sunset swept across from Monreale, lying golden and mellow on the luxuriant growth of figs, and olives, and orange-trees, and fantastic cacti, and so up to where the path of the convent swung off to the right round a dizzy point of cliff that reached out gaunt and gray from the olives below,—as I drove thus in the balmy air, and saw of a sudden a vision of creamy walls and orange roof, draped in fantastic festoons of roses, with a single curving palm-tree stuck black and feathery against the gold sunset, it is hardly to be wondered at that I should slip into a mood of visionary enjoyment, looking for a time on the whole thing as the misty phantasm of a summer dream.

  The Cavaliere had introduced himself to us,—Tom Rendel and me,—one morning soon after we reached Palermo, when, in the first bewilderment of architects in this paradise of art and colour, we were working nobly at our sketches in that dream of delight, the Capella Palatina. He was himself an amateur archæologist, he told us, and passionately devoted to his island; so he felt impelled to speak to anyone whom he saw appreciating the almost—and in a way fortunately—unknown beauties of Palermo. In a little time we were fully acquainted, and talking like the oldest friends. Of course he knew acquaintances of Rendel's,—someone always does: this time they were officers on the tubby U. S. S. Quinebaug, that, during the summer of 1888, was trying to uphold the maritime honour of the United States in European waters. Luckily for us, one of the officers was a kind of cousin of Rendel's, and came from Baltimore as well, so, as he had visited at the Cavaliere's place, we were soon invited to do the same. It was in this way that, with the luck that attends Rendel wherever he goes, we came to see something of domestic life in Italy, and that I found myself involved in another of those adventures for which I naturally sought so little.