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  The boat was now about in midstream, and suddenly the group of watchers saw the skiff's occupant change again into the crimson ball. Then it slowly began to move upward, and when it was about parallel with the tops of the trees on the island it disappeared. Next instant the watchers looking across the river saw nothing but the flickering lights in Hardin.

  The cries of the crowd on the island awakened a sleeping fisherman on the opposite side of the river, and he kindly pulled across and rescued the ghost-seeking youths. The fiery spook, it is said, still makes its nightly trips to Diamond Island, but no more investigating parties have ventured across to solve the mystery.

  It is said that some years ago a foul murder was committed on this island, and by the superstitious the crimson object is believed to be the restless spirit of the slain man.

  THE GHOST'S FULL HOUSE

  Table of Contents

  (N.Y. Sun, April 10, 1891)

  The Bleecker street ghost drew as large a "house" last night as Barnum's Circus or any of the theaters. There was a bigger crowd about "Cohnfeld's Folly" than there was three weeks ago when the flames gutted the buildings from Mercer to Greene streets and did damage away up in the millions. The wraith was not due till midnight, but the street was packed with watchers as early as 9 o'clock. The crowd was so dense that pedestrians with difficulty forced their way through it and twice a squad of blue-coats descended on the mob and routed it. Five minutes after the police had retired the street was as impassable as before.

  In the midst of the ruins of the big fire a single wall towers away above the surrounding brick partitions. It looks feeble and almost tottering and the shop-keepers in the vicinity say that when there is a high wind it sways to and fro and threatens to come down in a heap. After dark the outlines of the summit of this wall are very indistinct. The detail of the wreck could not be made out even in last night's bright starlight. There is a sheet of tin, however, on the top of the wall, which was probably a cornice before the fire. Only one side of it is attached to the brickwork, and when there is any wind it trembles in the breeze and rattles with an uncertain sound. It may have been that the sheen of the tin in the starlight or a windy night first suggested the idea of a ghost to some weird imagination.

  There is an old Frenchman living in the vicinity, however, who avers that three nights ago he saw with his own eyes a lady in white standing out against the darkened sky on the very summit of the tottering wall. Her long, flowing robes fluttered in the breeze, and even while he watched there came a low, wailing sound, and the wraith dissolved into air. He kept his eye fixed on the spot for a full minute, but the vision did not reappear, and as he turned to walk away he thought he heard groaning as of a lost spirit. The sound, he says, made his blood run cold and kept him shivering the whole night through.

  The alleged appearance of the ghost has set the whole neighborhood a talking, and some of the "old residenters" have recalled a murder which took place in the vicinity many years ago, when A.T. Stewart lived there and the street was one of the fashionable places of residence of the town. There was a wealthy old gentleman of foreign birth who lived in the street and was quite a recluse. He would pass the time of day with his neighbors when he met them in the street, but he was never known to enter into conversation with any one. The blinds were always drawn in his front windows, and at night there was not a ray of light to be seen about the house. His only servants were a couple somewhat advanced in years, who were as foreign and uncommunicative as himself. The master of the house would be away for months at a time and the neighbors had all sorts of theories as to his disappearances. Some thought he was engaged in unlawful business, others suggested that his absence might be attributed to the supernatural, but those who were less flighty concluded that he simply went off on periodical visits to his native land.

  On his return from one of these visits, however, the old gentleman brought with him a beautiful young girl. She was little more than a child in appearance, and had the soft eyes, olive complexion and lithe, graceful figure of a Spaniard. She was never seen alive after she passed the shadow of the old man's doorway. A few weeks later the old gentleman disappeared as mysteriously as if he had been snatched up into the clouds. The old couple who kept his home walked away one day and never returned. There was an investigation, and in a hole dug in the cellar was found the body of the beautiful young girl. There were no marks on her body, and it was supposed she had been smothered. The exact date of this tragedy is not fixed. Inspector Byrnes says that if it ever occurred it was before his time.

  The ghost, if ghost there is, is undoubtedly the spirit of this unfortunate and nameless young woman. A World reporter watched the Bleecker street ruins with the crowd last night and was there at the midnight hour, but never a sign of a ghost did he see. There were those in the crowd, nevertheless, who thought or pretended to think that they did. Once there was a rattling sound in the ruins, which caused a commotion among the lookers-on, but it was only because a small boy had shied a brick at the old wall. The living spirits boomed the liquor business in the saloons of the vicinity. A skull and cross-bones over one of these bars was surmounted with the somewhat appropriate legend freshly painted:

  "In the midst of life we are in debt."

  The Deserted House (E. T. A. Hoffmann)

  Table of Content

  You know already that I spent the greater part of last summer in X——, began Theodore. The many old friends and acquaintances I found there, the free, jovial life, the manifold artistic and intellectual interests—all these combined to keep me in that city. I was happy as never before, and found rich nourishment for my old fondness for wandering alone through the streets, stopping to enjoy every picture in the shop windows, every placard on the walls, or watching the passers-by and choosing some one or the other of them to cast his horoscope secretly to myself.

  There is one broad avenue leading to the —— Gate and lined with handsome buildings of all descriptions, which is the meeting place of the rich and fashionable world. The shops which occupy the ground floor of the tall palaces are devoted to the trade in articles of luxury, and the apartments above are the dwellings of people of wealth and position. The aristocratic hotels are to be found in this avenue, the palaces of the foreign ambassadors are there, and you can easily imagine that such a street would be the centre of the city's life and gaiety.

  I had wandered through the avenue several times, when one day my attention was caught by a house which contrasted strangely with the others surrounding it. Picture to yourselves a low building but four windows broad, crowded in between two tall, handsome structures. Its one upper story was a little higher than the tops of the ground-floor windows of its neighbours, its roof was dilapidated, its windows patched with paper, its discoloured walls spoke of years of neglect. You can imagine how strange such a house must have looked in this street of wealth and fashion. Looking at it more attentively I perceived that the windows of the upper story were tightly closed and curtained, and that a wall had been built to hide the windows of the ground floor. The entrance gate, a little to one side, served also as a door-way for the building, but I could find no sign of latch, lock, or even a bell on this gate. I was convinced that the house must be unoccupied, for at whatever hour of the day I happened to be passing I had never seen the faintest signs of life about it.

  You all, the good comrades of my youth, know that I have been prone to consider myself a sort of clairvoyant, claiming to have glimpses of a strange world of wonders, a world which you, with your hard common sense, would attempt to deny or laugh away. I confess that I have often lost myself in mysteries which after all turned out to be no mysteries at all. And it looked at first as if this was to happen to me in the matter of the deserted house, that strange house which drew my steps and my thoughts to itself with a power that surprised me. But the point of my story will prove to you that I am right in asserting that I know more than you do. Listen now to what I am about to tell you.

  One day, a
t the hour in which the fashionable world is accustomed to promenade up and down the avenue, I stood as usual before the deserted house, lost in thought. Suddenly I felt, without looking up, that some one had stopped beside me, fixing his eyes on me. It was Count P——, who told me that the old house contained nothing more mysterious than a cake bakery belonging to the pastry cook whose handsome shop adjoined the old structure. The windows of the ground floor were walled up to give protection to the ovens, and the heavy curtains of the upper story were to keep the sunlight from the wares laid out there. When the Count informed me of this I felt as if a bucket of cold water had been suddenly thrown over me. But I could not believe in this story of the cake and candy factory. Through some strange freak of the imagination I felt as a child feels when some fairy tale has been told it to conceal the truth it suspects. I scolded myself for a silly fool; the house remained unaltered in its appearance, and the visions faded in my brain, until one day a chance incident woke them to life again.

  I was wandering through the avenue as usual, and as I passed the deserted house I could not resist a hasty glance at its close-curtained upper windows. But as I looked at it, the curtain on the last window near the pastry shop began to move. A hand, an arm, came out from between its folds. I took my opera glass from my pocket and saw a beautifully formed woman's hand, on the little finger of which a large diamond sparkled in unusual brilliancy; a rich bracelet glittered on the white, rounded arm. The hand set a tall, oddly formed crystal bottle on the window ledge and disappeared again behind the curtain.

  I stopped as if frozen to stone; a weirdly pleasurable sensation, mingled with awe, streamed through my being with the warmth of an electric current. I stared up at the mysterious window and a sigh of longing arose from the very depths of my heart. When I came to myself again, I was angered to find that I was surrounded by a crowd which stood gazing up at the window with curious faces. I stole away inconspicuously, and the demon of all things prosaic whispered to me that what I had just seen was the rich pastry cook's wife, in her Sunday adornment, placing an empty bottle, used for rose-water or the like, on the window sill. Nothing very weird about this.

  Suddenly a most sensible thought came to me. I turned and entered the shining, mirror-walled shop of the pastry cook. Blowing the steaming foam from my cup of chocolate, I remarked: "You have a very useful addition to your establishment next door." The man leaned over his counter and looked at me with a questioning smile, as if he did not understand me. I repeated that in my opinion he had been very clever to set his bakery in the neighbouring house, although the deserted appearance of the building was a strange sight in its contrasting surroundings. "Why, sir," began the pastry cook, "who told you that the house next door belongs to us? Unfortunately every attempt on our part to acquire it has been in vain, and I fancy it is all the better so, for there is something queer about the place."

  You can imagine, dear friends, how interested I became upon hearing these words, and that I begged the man to tell me more about the house.

  "I do not know anything very definite, sir," he said. "All that we know for a certainty is that the house belongs to the Countess S——, who lives on her estates and has not been to the city for years. This house, so they tell me, stood in its present shape before any of the handsome buildings were raised which are now the pride of our avenue, and in all these years there has been nothing done to it except to keep it from actual decay. Two living creatures alone dwell there, an aged misanthrope of a steward and his melancholy dog, which occasionally howls at the moon from the back courtyard. According to the general story the deserted house is haunted. In very truth my brother, who is the owner of this shop, and myself have often, when our business kept us awake during the silence of the night, heard strange sounds from the other side of the walls. There was a rumbling and a scraping that frightened us both. And not very long ago we heard one night a strange singing which I could not describe to you. It was evidently the voice of an old woman, but the tones were so sharp and clear, and ran up to the top of the scale in cadences and long trills, the like of which I have never heard before, although I have heard many singers in many lands. It seemed to be a French song, but I am not quite sure of that, for I could not listen long to the mad, ghostly singing, it made the hair stand erect on my head. And at times, after the street noises are quiet, we can hear deep sighs, and sometimes a mad laugh, which seem to come out of the earth. But if you lay your ear to the wall in our back room, you can hear that the noises come from the house next door." He led me into the back room and pointed through the window. "And do you see that iron chimney coming out of the wall there? It smokes so heavily sometimes, even in summer when there are no fires used, that my brother has often quarrelled with the old steward about it, fearing danger. But the old man excuses himself by saying that he was cooking his food. Heaven knows what the queer creature may eat, for often, when the pipe is smoking heavily, a strange and queer smell can be smelled all over the house."

  The glass doors of the shop creaked in opening. The pastry cook hurried into the front room, and when he had nodded to the figure now entering he threw a meaning glance at me. I understood him perfectly. Who else could this strange guest be, but the steward who had charge of the mysterious house! Imagine a thin little man with a face the colour of a mummy, with a sharp nose, tight-set lips, green cat's eyes, and a crazy smile; his hair dressed in the old-fashioned style with a high toupet and a bag at the back, and heavily powdered. He wore a faded old brown coat which was carefully brushed, grey stockings, and broad, flat-toed shoes with buckles. And imagine further, that in spite of his meagreness this little person is robustly built, with huge fists and long, strong fingers, and that he walks to the shop counter with a strong, firm step, smiling his imbecile smile, and whining out: "A couple of candied oranges—a couple of macaroons—a couple of sugared chestnuts——"

  The pastry cook smiled at me and then spoke to the old man. "You do not seem to be quite well. Yes, yes, old age, old age! It takes the strength from our limbs." The old man's expression did not change, but his voice went up: "Old age?—Old age?—Lose strength?—Grow weak?—Oho!" And with this he clapped his hands together until the joints cracked, and sprang high up into the air until the entire shop trembled and the glass vessels on the walls and counters rattled and shook. But in the same moment a hideous screaming was heard; the old man had stepped on his black dog, which, creeping in behind him, had laid itself at his feet on the floor. "Devilish beast—dog of hell!" groaned the old man in his former miserable tone, opening his bag and giving the dog a large macaroon. The dog, which had burst out into a cry of distress that was truly human, was quiet at once, sat down on its haunches, and gnawed at the macaroon like a squirrel. When it had finished its tidbit, the old man had also finished the packing up and putting away of his purchases. "Good night, honoured neighbour," he spoke, taking the hand of the pastry cook and pressing it until the latter cried aloud in pain. "The weak old man wishes you a good night, most honourable Sir Neighbour," he repeated, and then walked from the shop, followed closely by his black dog. The old man did not seem to have noticed me at all. I was quite dumfoundered in my astonishment.

  "There, you see," began the pastry cook. "This is the way he acts when he comes in here, two or three times a month, it is. But I can get nothing out of him except the fact that he was a former valet of Count S——, that he is now in charge of this house here, and that every day—for many years now—he expects the arrival of his master's family." The hour was now come when fashion demanded that the elegant world of the city should assemble in this attractive shop. The doors opened incessantly, the place was thronged, and I could ask no further questions.

  This much I knew, that Count P——'s information about the ownership and the use of the house were not correct; also, that the old steward, in spite of his denial, was not living alone there, and that some mystery was hidden behind its discoloured walls. How could I combine the story of the strange and gruesome si
nging with the appearance of the beautiful arm at the window? That arm could not be part of the wrinkled body of an old woman; the singing, according to the pastry cook's story, could not come from the throat of a blooming and youthful maiden. I decided in favour of the arm, as it was easy to explain to myself that some trick of acoustics had made the voice sound sharp and old, or that it had appeared so only in the pastry cook's fear-distorted imagination. Then I thought of the smoke, the strange odours, the oddly formed crystal bottle that I had seen, and soon the vision of a beautiful creature held enthralled by fatal magic stood as if alive before my mental vision. The old man became a wizard who, perhaps quite independently of the family he served, had set up his devil's kitchen in the deserted house. My imagination had begun to work, and in my dreams that night I saw clearly the hand with the sparkling diamond on its finger, the arm with the shining bracelet. From out thin, grey mists there appeared a sweet face with sadly imploring blue eyes, then the entire exquisite figure of a beautiful girl. And I saw that what I had thought was mist was the fine steam flowing out in circles from a crystal bottle held in the hands of the vision.

  "Oh, fairest creature of my dreams," I cried in rapture, "reveal to me where thou art, what it is that enthralls thee. Ah, I know it! It is black magic that holds thee captive—thou art the unhappy slave of that malicious devil who wanders about brown-clad and be-wigged in pastry shops, scattering their wares with his unholy springing and feeding his demon dog on macaroons, after they have howled out a Satanic measure in five-eighth time. Oh, I know it all, thou fair and charming vision. The diamond is the reflection of the fire of thy heart. But that bracelet about thine arm is a link of the chain which the brown-clad one says is a magnetic chain. Do not believe it, O glorious one! See how it shines in the blue fire from the retort. One moment more and thou art free. And now, O maiden, open thy rosebud mouth and tell me——" In this moment a gnarled fist leaped over my shoulder and clutched at the crystal bottle, which sprang into a thousand pieces in the air. With a faint, sad moan, the charming vision faded into the blackness of the night.