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  And what occurred was exactly the same, with the same air of repetition, point for point, as I had formerly remarked. I declare that it seemed to me as if I were pushed against, put aside, by the owner of the voice as he paced up and down in his trouble,—though these are perfectly futile words, seeing that the stream of light from my lantern, and that from Simson's taper, lay broad and clear, without a shadow, without the smallest break, across the entire breadth of the grass. But just as it threw itself sobbing at the door (I cannot use other words), there suddenly came something which sent the blood coursing through my veins, and my heart into my mouth. It was a voice inside the wall,—my minister's well-known voice. I would have been prepared for it in any kind of adjuration, but I was not prepared for what I heard. It came out with a sort of stammering, as if too much moved for utterance. "Willie, Willie! Oh, God preserve us! is it you?"

  I made a dash round to the other side of the wall. The old minister was standing where I had left him, his shadow thrown vague and large upon the grass by the lantern which stood at his feet. I lifted my own light to see his face. He was very pale, his eyes wet and glistening, his mouth quivering with parted lips. He neither saw nor heard me. His whole being seemed absorbed in anxiety and tenderness. He held out his hands, which trembled, but it seemed to me with eagerness, not fear. He went on speaking all the time. "Willie, if it is you,—and it's you, if it is not a delusion of Satan,—Willie, lad! why come ye here frighting them that know you not? Why came ye not to me? Your mother's gone with your name on her lips. Do you think she would ever close her door on her own lad? Do ye think the Lord will close the door, ye faint-hearted creature? No!—I forbid ye! I forbid ye!" cried the old man. The sobbing voice had begun to resume its cries. He made a step forward, calling out the last words in a voice of command. "I forbid ye! Cry out no more to man. Go home, ye wandering spirit! go home! Do you hear me?—me that christened ye, that have struggled with ye, that have wrestled for ye with the Lord!" Here the loud tones of his voice sank into tenderness. "And her too, poor woman! poor woman! her you are calling upon. She's no here. You'll find her with the Lord. Go there and seek her, not here. Do you hear me, lad? go after her there. He'll let you in, though it's late. Man, take heart! if you will lie and sob and greet, let it be at heaven's gate, and no your poor mother's ruined door."

  He stopped to get his breath; and the voice had stopped, not as it had done before, when its time was exhausted and all its repetitions said, but with a sobbing catch in the breath as if overruled. Then the minister spoke again, "Are you hearing me, Will? Oh, laddie, you've liked the beggarly elements all your days. Be done with them now. Go home to the Father—the Father! Are you hearing me?" Here the old man sank down upon his knees, his face raised upwards, his hands held up with a tremble in them, all white in the light in the midst of the darkness. I resisted as long as I could, though I cannot tell why; then I, too, dropped upon my knees. Simson all the time stood in the door-way, with an expression in his face such as words could not tell, his under lip dropped, his eyes wild, staring. It seemed to be to him, that image of blank ignorance and wonder, that we were praying. All the time the voice, with a low arrested sobbing, lay just where he was standing, as I thought.

  "Lord," the minister said,—"Lord, take him into Thy everlasting habitations. The mother he cries to is with Thee. Who can open to him but Thee? Lord, when is it too late for Thee, or what is too hard for Thee? Lord, let that woman there draw him inower! Let her draw him inower!"

  I sprang forward to catch something in my arms that flung itself wildly within the door. The illusion was so strong, that I never paused till I felt my forehead graze against the wall and my hands clutch the ground,—for there was nobody there to save from falling, as in my foolishness I thought. Simson held out his hand to me to help me up. He was trembling and cold, his lower lip hanging, his speech almost inarticulate. "It's gone," he said, stammering,—"it's gone!"

  As long as I live I will never forget the shining of the strange lights, the blackness all round, the kneeling figure with all the whiteness of the light concentrated on its white venerable head and uplifted hands. I never knew how long we stood, like sentinels guarding him at his prayers. But at last the old minister rose from his knees, and standing up at his full height, raised his arms, as the Scotch manner is at the end of a religious service, and solemnly gave the apostolical benediction,—to what? to the silent earth, the dark woods, the wide breathing atmosphere; for we were but spectators gasping an Amen!

  It seemed to me that it must be the middle of the night, as we all walked back. It was in reality very late. Dr. Moncrieff himself was the first to speak. "I must be going," he said; "I will go down the glen, as I came."

  "But not alone. I am going with you, Doctor."

  "Well, I will not oppose it. I am an old man, and agitation wearies more than work. Yes; I'll be thankful of your arm. Tonight, Colonel, you've done me more good turns than one."

  I pressed his hand on my arm, not feeling able to speak. But Simson, who turned with us, and who had gone along all this time with his taper flaring, in entire unconsciousness, became himself, sceptical and cynical. "I should like to ask you a question," he said. "Do you believe in Purgatory, Doctor? It's not in the tenets of the Church, so far as I know."

  "Sir," said Dr. Moncrieff, "an old man like me is sometimes not very sure what he believes. There is just one thing I am certain of—and that is the loving-kindness of God."

  "But I thought that was in this life. I am no theologian——"

  "Sir," said the old man again, with a tremor in him which I could feel going over all his frame, "if I saw a friend of mine within the gates of hell, I would not despair but his Father would take him by the hand still, if he cried like you."

  "I allow it is very strange, very strange. I cannot see through it. That there must be human agency, I feel sure. Doctor, what made you decide upon the person and the name?"

  The minister put out his hand with the impatience which a man might show if he were asked how he recognized his brother. "Tuts!" he said, in familiar speech; then more solemnly, "How should I not recognize a person that I know better—far better—than I know you?"

  "Then you saw the man?"

  Dr. Moncrieff made no reply. He moved his hand again with a little impatient movement, and walked on, leaning heavily on my arm. We parted with him at his own door, where his old housekeeper appeared in great perturbation, waiting for him. "Eh, me, minister! the young gentleman will be worse?" she cried.

  "Far from that—better. God bless him!" Dr. Moncrieff said.

  I think if Simson had begun again to me with his questions, I should have pitched him over the rocks as we returned up the glen; but he was silent, by a good inspiration. And the sky was clearer than it had been for many nights, shining high over the trees, with here and there a star faintly gleaming through the wilderness of dark and bare branches. We went up to the boy's room when we went in. There we found the complete hush of rest. My wife looked up out of a doze, and gave me a smile; "I think he is a great deal better; but you are very late," she said in a whisper, shading the light with her hand that the Doctor might see his patient. The boy had got back something like his own colour. He woke as we stood all round his bed. His eyes had the happy, half-awakened look of childhood, glad to shut again, yet pleased with the interruption and glimmer of the light. I stooped over him and kissed his forehead, which was moist and cool. "All is well, Roland," I said. He looked up at me with a glance of pleasure, and took my hand and laid his cheek upon it, and so went to sleep.

  For some nights after, I watched among the ruins, spending all the dark hours up to midnight patrolling about the bit of wall which was associated with so many emotions; but I heard nothing, and saw nothing beyond the quiet course of nature; nor, so far as I am aware, has anything been heard again. Dr. Moncrieff gave me the history of the youth, whom he never hesitated to name. I did not ask, as Simson did, how he recognized him. He had been a prodigal,—
weak, foolish, easily imposed upon, and "led away," as people say. All that we had heard had passed actually in life, the Doctor said. The young man had come home thus a day or two after his mother died,—who was no more than housekeeper in the old house,—and distracted with the news, had thrown himself down at the door and called upon her to let him in. The old man could scarcely speak of it for tears. He was not terrified, as I had been myself, and all the rest of us. It was no "ghost," as I fear we all vulgarly considered it, to him,—but a poor creature whom he knew under these conditions, just as he had known him in the flesh, having no doubt of his identity. And to Roland it was the same. This spirit in pain,—if it was a spirit,—this voice out of the unseen,—was a poor fellow-creature in misery, to be succoured and helped out of his trouble, to my boy. He spoke to me quite frankly about it when he got better. "I knew father would find out some way," he said. And this was when he was strong and well, and all idea that he would turn hysterical or become a seer of visions had happily passed away.

  I must add one curious fact, which does not seem to me to have any relation to the above, but which Simson made great use of, as the human agency which he was determined to find somehow. One Sunday afternoon Simson found a little hole,—for it was more a hole than a room,—entirely hidden under the ivy and ruins, in which there was a quantity of straw laid in a corner, as if some one had made a bed there, and some remains of crusts about the floor. Some one had lodged there, and not very long before, he made out; and that this unknown being was the author of all the mysterious sounds we heard he is convinced. "I was puzzled myself,—I could not make it out,—but I always felt convinced human agency was at the bottom of it. And here it is,—and a clever fellow he must have been," the Doctor says. There is no argument with men of this kind.

  Bagley left my service as soon as he got well. He assured me it was no want of respect, but he could not stand "them kind of things"; and the man was so shaken and ghastly that I was glad to give him a present and let him go. For my own part, I made a point of staying out the time—two years—for which I had taken Brentwood; but I did not renew my tenancy. By that time we had settled, and found for ourselves a pleasant home of our own.

  I must add, that when the Doctor defies me, I can always bring back gravity to his countenance, and a pause in his railing, when I remind him of the juniper-bush. To me that was a matter of little importance. I could believe I was mistaken. I did not care about it one way or other; but on his mind the effect was different. The miserable voice, the spirit in pain, he could think of as the result of ventriloquism, or reverberation, or—anything you please: an elaborate prolonged hoax, executed somehow by the tramp that had found a lodging in the old tower; but the juniper-bush staggered him. Things have effects so different on the minds of different men.

  The Mysterious Sketch (Erckmann-Chatrian)

  Table of Content

  I

  II

  III

  I

  Table of Contents

  Opposite the chapel of Saint Sebalt in Nuremberg, at the corner of Trabaus Street, there stands a little tavern, tall and narrow, with a toothed gable and dusty windows, whose roof is surmounted by a plaster Virgin. It was there that I spent the unhappiest days of my life. I had gone to Nuremberg to study the old German masters; but in default of ready money, I had to paint portraits—and such portraits! Fat old women with their cats on their laps, big-wigged aldermen, burgomasters in three-cornered hats—all horribly bright with ochre and vermilion. From portraits I descended to sketches, and from sketches to silhouettes.

  Nothing is more annoying than to have your landlord come to you every day with pinched lips, shrill voice, and impudent manner to say: "Well, sir, how soon are you going to pay me? Do you know how much your bill is? No; that doesn't worry you! You eat, drink, and sleep calmly enough. God feeds the sparrows. Your bill now amounts to two hundred florins and ten kreutzers—it is not worth talking about."

  Those who have not heard any one talk in this way can form no idea of it; love of art, imagination, and the sacred enthusiasm for the beautiful are blasted by the breath of such an attack. You become awkward and timid; all your energy evaporates, as well as your feeling of personal dignity, and you bow respectfully at a distance to the burgomaster Schneegans.

  One night, not having a sou, as usual, and threatened with imprisonment by this worthy Mister Rap, I determined to make him a bankrupt by cutting my throat. Seated on my narrow bed, opposite the window, in this agreeable mood, I gave myself up to a thousand philosophical reflections, more or less comforting.

  "What is man?" I asked myself. "An omnivorous animal; his jaws, provided with canines, incisors, and molars, prove it. The canines are made to tear meat; the incisors to bite fruits; and the molars to masticate, grind, and triturate animal and vegetable substances that are pleasant to smell and to taste. But when he has nothing to masticate, this being is an absurdity in Nature, a superfluity, a fifth wheel to the coach."

  Such were my reflections. I dared not open my razor for fear that the invincible force of my logic would inspire me with the courage to make an end of it all. After having argued so finely, I blew out my candle, postponing the sequel till the morrow.

  That abominable Rap had completely stupefied me. I could do nothing but silhouettes, and my sole desire was to have some money to rid myself of his odious presence. But on this night a singular change came over my mind. I awoke about one o'clock—I lit my lamp, and, enveloping myself in my grey gabardine, I drew upon the paper a rapid sketch after the Dutch school—something strange and bizarre, which had not the slightest resemblance to my ordinary conceptions.

  Imagine a dreary courtyard enclosed by high dilapidated walls. These walls are furnished with hooks, seven or eight feet from the ground. You see, at a glance, that it is a butchery.

  On the left, there extends a lattice structure; you perceive through it a quartered beef suspended from the roof by enormous pulleys. Great pools of blood run over the flagstones and unite in a ditch full of refuse.

  The light falls from above, between the chimneys where the weathercocks stand out from a bit of the sky the size of your hand, and the roofs of the neighbouring houses throw bold shadows from story to story.

  At the back of this place is a shed, beneath the shed a pile of wood, and upon the pile of wood some ladders, a few bundles of straw, some coils of rope, a chicken-coop, and an old dilapidated rabbit-hutch.

  How did these heterogeneous details suggest themselves to my imagination? I don't know; I had no reminiscences, and yet every stroke of the pencil seemed the result of observation, and strange because it was all so true. Nothing was lacking.

  But on the right, one corner of the sketch remained a blank. I did not know what to put there.... Something suddenly seemed to writhe there, to move! Then I saw a foot, the sole of a foot. Notwithstanding this improbable position, I followed my inspiration without reference to my own criticism. This foot was joined to a leg—over this leg, stretched out with effort, there soon floated the skirt of a dress. In short, there appeared by degrees an old woman, pale, dishevelled, and wasted, thrown down at the side of a well, and struggling to free herself from a hand that clutched her throat.

  It was a murder scene that I was drawing. The pencil fell from my hand.

  This woman, in the boldest attitude, with her thighs bent on the curb of the well, her face contracted by terror, and her two hands grasping the murderer's arm, frightened me. I could not look at her. But the man—he, the person to whom that arm belonged—I could not see him. It was impossible for me to finish the sketch.

  "I am tired," I said, my forehead dripping with perspiration; "there is only this figure to do; I will finish it tomorrow. It will be easy then."

  And again I went to bed, thoroughly frightened by my vision.

  The next morning, I got up very early. I was dressing in order to resume my interrupted work, when two little knocks were heard on my door.

  "Come in!"

/>   The door opened. An old man, tall, thin, and dressed in black, appeared on the threshold. This man's face, his eyes set close together and his large nose like the beak of an eagle, surmounted by a high bony forehead, had something severe about it. He bowed to me gravely.

  "Mister Christian Vénius, the painter?" said he.

  "That is my name, sir."

  He bowed again, adding:

  "The Baron Frederick Van Spreckdal."