The Slender Poe Anthology Page 14

  “Yes,” said I, “I remember his merriment well. I really thought he would have fallen into convulsions.”

  “The material world,” continued Dupin, “abounds with very strict analogies to the immaterial; and thus some color of truth has been given to the rhetorical dogma, that metaphor, or simile, may be made to strengthen an argument, as well as to embellish a description. The principle of the vis inertiæ, for example, seems to be identical in physics and metaphysics. It is not more true in the former, that a large body is with more difficulty set in motion than a smaller one, and that its subsequent momentum is commensurate with this difficulty, than it is, in the latter, that intellects of the vaster capacity, while more forcible, more constant, and more eventful in their movements than those of inferior grade, are yet the less readily moved, and more embarrassed and full of hesitation in the first few steps of their progress. Again: have you ever noticed which of the street signs, over the shop-doors, are the most attractive of attention?”

  “I have never given the matter a thought,” I said.

  “There is a game of puzzles,” he resumed, “which is played upon a map. One party playing requires another to find a given word—the name of town, river, state or empire—any word, in short, upon the motley and perplexed surface of the chart. A novice in the game generally seeks to embarrass his opponents by giving them the most minutely lettered names; but the adept selects such words as stretch, in large characters, from one end of the chart to the other. These, like the over-largely lettered signs and placards of the street, escape observation by dint of being excessively obvious; and here the physical oversight is precisely analogous with the moral inapprehension by which the intellect suffers to pass unnoticed those considerations which are too obtrusively and too palpably self-evident. But this is a point, it appears, somewhat above or beneath the understanding of the Prefect. He never once thought it probable, or possible, that the Minister had deposited the letter immediately beneath the nose of the whole world, by way of best preventing any portion of that world from perceiving it.

  “But the more I reflected upon the daring, dashing, and discriminating ingenuity of D—; upon the fact that the document must always have been at hand, if he intended to use it to good purpose; and upon the decisive evidence, obtained by the Prefect, that it was not hidden within the limits of that dignitary’s ordinary search—the more satisfied I became that, to conceal this letter, the Minister had resorted to the comprehensive and sagacious expedient of not attempting to conceal it at all.

  “Full of these ideas, I prepared myself with a pair of green spectacles, and called one fine morning, quite by accident, at the Ministerial hotel. I found D— at home, yawning, lounging, and dawdling, as usual, and pretending to be in the last extremity of ennui. He is, perhaps, the most really energetic human being now alive—but that is only when nobody sees him.

  “To be even with him, I complained of my weak eyes, and lamented the necessity of the spectacles, under cover of which I cautiously and thoroughly surveyed the whole apartment, while seemingly intent only upon the conversation of my host.

  “I paid especial attention to a large writing-table near which he sat, and upon which lay confusedly, some miscellaneous letters and other papers, with one or two musical instruments and a few books. Here, however, after a long and very deliberate scrutiny, I saw nothing to excite particular suspicion.

  “At length my eyes, in going the circuit of the room, fell upon a trumpery fillagree card-rack of pasteboard, that hung dangling by a dirty blue ribbon, from a little brass knob just beneath the middle of the mantel-piece. In this rack, which had three or four compartments, were five or six visiting cards and a solitary letter. This last was much soiled and crumpled. It was torn nearly in two, across the middle—as if a design, in the first instance, to tear it entirely up as worthless, had been altered, or stayed, in the second. It had a large black seal, bearing the D— cipher very conspicuously, and was addressed, in a diminutive female hand, to D—, the minister, himself. It was thrust carelessly, and even, as it seemed, contemptuously, into one of the uppermost divisions of the rack.

  “No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description. Here the seal was large and black, with the D— cipher; there it was small and red, with the ducal arms of the S— family. Here, the address, to the Minister, diminutive and feminine; there the superscription, to a certain royal personage, was markedly bold and decided; the size alone formed a point of correspondence. But, then, the radicalness of these differences, which was excessive; the dirt; the soiled and torn condition of the paper, so inconsistent with the true methodical habits of D—, and so suggestive of a design to delude the beholder into an idea of the worthlessness of the document; these things, together with the hyper-obtrusive situation of this document, full in the view of every visiter, and thus exactly in accordance with the conclusions to which I had previously arrived; these things, I say, were strongly corroborative of suspicion, in one who came with the intention to suspect.

  “I protracted my visit as long as possible, and, while I maintained a most animated discussion with the Minister upon a topic which I knew well had never failed to interest and excite him, I kept my attention really riveted upon the letter. In this examination, I committed to memory its external appearance and arrangement in the rack; and also fell, at length, upon a discovery which set at rest whatever trivial doubt I might have entertained. In scrutinizing the edges of the paper, I observed them to be more chafed than seemed necessary. They presented the broken appearance which is manifested when a stiff paper, having been once folded and pressed with a folder, is refolded in a reversed direction, in the same creases or edges which had formed the original fold. This discovery was sufficient. It was clear to me that the letter had been turned, as a glove, inside out, re-directed, and re-sealed. I bade the Minister good morning, and took my departure at once, leaving a gold snuff-box upon the table.

  “The next morning I called for the snuff-box, when we resumed, quite eagerly, the conversation of the preceding day. While thus engaged, however, a loud report, as if of a pistol, was heard immediately beneath the windows of the hotel, and was succeeded by a series of fearful screams, and the shoutings of a terrified mob. D— rushed to a casement, threw it open, and looked out. In the meantime, I stepped to the card-rack, took the letter, put it in my pocket, and replaced it by a fac-simile, (so far as regards externals,) which I had carefully prepared at my lodgings—imitating the D— cipher, very readily, by means of a seal formed of bread.

  “The disturbance in the street had been occasioned by the frantic behavior of a man with a musket. He had fired it among a crowd of women and children. It proved, however, to have been without ball, and the fellow was suffered to go his way as a lunatic or a drunkard. When he had gone, D— came from the window, whither I had followed him immediately upon securing the object in view. Soon afterwards I bade him farewell. The pretended lunatic was a man in my own pay.”

  “But what purpose had you,” I asked, “in replacing the letter by a fac-simile? Would it not have been better, at the first visit, to have seized it openly, and departed?”

  “D—,” replied Dupin, “is a desperate man, and a man of nerve. His hotel, too, is not without attendants devoted to his interests. Had I made the wild attempt you suggest, I might never have left the Ministerial presence alive. The good people of Paris might have heard of me no more. But I had an object apart from these considerations. You know my political prepossessions. In this matter, I act as a partisan of the lady concerned. For eighteen months the Minister has had her in his power. She has now him in hers—since, being unaware that the letter is not in his possession, he will proceed with his exactions as if it was. Thus will he inevitably commit himself, at once, to his political destruction. His downf
all, too, will not be more precipitate than awkward. It is all very well to talk about the facilis descensus Averni; but in all kinds of climbing, as Catalani said of singing, it is far more easy to get up than to come down. In the present instance I have no sympathy—at least no pity—for him who descends. He is that monstrum horrendum, an unprincipled man of genius. I confess, however, that I should like very well to know the precise character of his thoughts, when, being defied by her whom the Prefect terms ‘a certain personage’ he is reduced to opening the letter which I left for him in the card-rack.”

  “How? did you put any thing particular in it?”

  “Why—it did not seem altogether right to leave the interior blank—that would have been insulting. D—, at Vienna once, did me an evil turn, which I told him, quite good-humoredly, that I should remember. So, as I knew he would feel some curiosity in regard to the identity of the person who had outwitted him, I thought it a pity not to give him a clue. He is well acquainted with my MS., and I just copied into the middle of the blank sheet the words—

  — Un dessein si funeste,

  S’il n’est digne d’Atrée, est digne de Thyeste.

  They are to be found in Crebillon’s ‘Atrée.’”

  The poem first appeared in April 1839, in the American Museum of Science, Literature and the Arts, out of Baltimore. Five months later in Burton’s Gentleman’s Magazine, and Monthly Review, it had become “embodied” (Poe’s term) in The Fall of the House of Usher.

  Poe attributes the verses to Roderick Usher, the last one standing in an ancient and learned bloodline; it’s not one of Usher’s “wild fantasias” of guitar and words, but something of a ballad whose “discordant melody” is in a dark key. There’s little doubt that Poe was haunted— haunted by rejection, failure, death—all of it housed in his head. In this poem, Poe metaphorically delivers Roderick Usher’s “disordered” head. For some reason it reminds me of Hamlet’s words, “… for there’s nothing either good or bad but thinking makes it so.”

  With regard to the long history of poetry, every poet to some degree participates in a “troop of Echoes.”

  THE HAUNTED PALACE

  In the greenest of our valleys

  By good angels tenanted,

  Once a fair and stately palace—

  Radiant palace—reared its head.

  In the monarch Thought’s dominion—

  It stood there!

  Never seraph spread a pinion

  Over fabric half so fair.

  Banners yellow, glorious, golden,

  On its roof did float and flow,

  (This—all this—was in the olden

  Time long ago,)

  And every gentle air that dallied,

  In that sweet day,

  Along the ramparts plumed and pallid,

  A winged odour went away.

  Wanderers in that happy valley,

  Through two luminous windows, saw

  Spirits moving musically,

  To a lute’s well-tuned law,

  Round about a throne where, sitting,

  Porphyrogene,

  In state his glory well befitting,

  The ruler of the realm was seen.

  And all with pearl and ruby glowing

  Was the fair palace door,

  Through which came flowing, flowing, flowing,

  And sparkling evermore,

  A troop of Echoes, whose sweet duty

  Was but to sing,

  In voices of surpassing beauty,

  The wit and wisdom of their king.

  But evil things, in robes of sorrow,

  Assailed the monarch’s high estate.

  (Ah, let us mourn!—for never sorrow

  Shall dawn upon him desolate!)

  And round about his home the glory

  That blushed and bloomed,

  Is but a dim-remembered story

  Of the old time entombed.

  And travellers, now, within that valley,

  Through the encrimsoned windows see

  Vast forms, that move fantastically

  To a discordant melody,

  While, lie a ghastly rapid river,

  Through the pale door

  A hideous throng rush out forever

  And laugh—but smile no more.

  This is a key tale in the understanding of Poe; the 1846 version printed here is the longest and last of its publications during his lifetime.

  Poe was no stranger to self-sabotage. For me, the most heartbreaking of episodes regarding his search for steady income came during a visit to Washington, D. C., in 1843, a sinecure government appointment was in the offing; all hope was lost when Poe couldn’t manage his drinking. For Poe, the imp was in any alcoholic beverage.

  At a time when phrenology—the pseudo-scientific attempt to establish links between the shape and contours of the skull with the mental faculties—was a serious undertaking, Poe expounds on a psychological impulse that contradicts one’s best interests; the imp has a Freudian flair about it, a bit of id, a bit of death wish.

  If you’ve ever done anything you knew you shouldn’t have, and the consequences were grave, you know all you need to know about the imp.

  THE IMP OF THE PERVERSE

  In the consideration of the faculties and impulses—of the prima mobilia of the human soul, the phrenologists have failed to make room for a propensity which, although obviously existing as a radical, primitive, irreducible sentiment, has been equally overlooked by all the moralists who have preceded them. In the pure arrogance of the reason, we have all overlooked it. We have suffered its existence to escape our senses, solely through want of belief—of faith;—whether it be faith in Revelation, or faith in the Kabbala. The idea of it has never occurred to us, simply because of its supererogation. We saw no need of the impulse—for the propensity. We could not perceive its necessity. We could not understand, that is to say, we could not have understood, had the notion of this primum mobile ever obtruded itself;—we could not have understood in what manner it might be made to further the objects of humanity, either temporal or eternal. It cannot be denied that phrenology and, in great measure, all metaphysicianism have been concocted a priori. The intellectual or logical man, rather than the understanding or observant man, set himself to imagine designs—to dictate purposes to God. Having thus fathomed, to his satisfaction, the intentions of Jehovah, out of these intentions he built his innumerable systems of mind. In the matter of phrenology, for example, we first determined, naturally enough, that it was the design of the Deity that man should eat. We then assigned to man an organ of alimentiveness, and this organ is the scourge with which the Deity compels man, will-I nill-I, into eating. Secondly, having settled it to be God’s will that man should continue his species, we discovered an organ of amativeness, forthwith. And so with combativeness, with ideality, with causality, with constructiveness,—so, in short, with every organ, whether representing a propensity, a moral sentiment, or a faculty of the pure intellect. And in these arrangements of the Principia of human action, the Spurzheimites, whether right or wrong, in part, or upon the whole, have but followed, in principle, the footsteps of their predecessors: deducing and establishing every thing from the preconceived destiny of man, and upon the ground of the objects of his Creator.

  It would have been wiser, it would have been safer, to classify (if classify we must) upon the basis of what man usually or occasionally did, and was always occasionally doing, rather than upon the basis of what we took it for granted the Deity intended him to do. If we cannot comprehend God in his visible works, how then in his inconceivable thoughts, that call the works into being? If we cannot understand him in his objective creatures, how then in his substantive moods and phases of creation?

  Induction, a posteriori, would have brought phrenology to
admit, as an innate and primitive principle of human action, a paradoxical something, which we may call perverseness, for want of a more characteristic term. In the sense I intend, it is, in fact, a mobile without motive, a motive not motivirt. Through its promptings we act without comprehensible object; or, if this shall be understood as a contradiction in terms, we may so far modify the proposition as to say, that through its promptings we act, for the reason that we should not. In theory, no reason can be more unreasonable, but, in fact, there is none more strong. With certain minds, under certain conditions, it becomes absolutely irresistible. I am not more certain that I breathe, than that the assurance of the wrong or error of any action is often the one unconquerable force which impels us, and alone impels us to its prosecution. Nor will this overwhelming tendency to do wrong for the wrong’s sake, admit of analysis, or resolution into ulterior elements. It is a radical, a primitive impulse—elementary. It will be said, I am aware, that when we persist in acts because we feel we should not persist in them, our conduct is but a modification of that which ordinarily springs from the combativeness of phrenology. But a glance will show the fallacy of this idea. The phrenological combativeness has for its essence, the necessity of self-defence. It is our safeguard against injury. Its principle regards our well-being; and thus the desire to be well is excited simultaneously with its development. It follows, that the desire to be well must be excited simultaneously with any principle which shall be merely a modification of combativeness, but in the case of that something which I term perverseness, the desire to be well is not only not aroused, but a strongly antagonistical sentiment exists.